John Cassavetes
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John Cassavetes
John Nicholas Cassaveteswas an American actor, film director, and screenwriter. Cassavetes was a pioneer of American independent film, writing and directing over a dozen movies, which he partially self-financed, and pioneered the use of improvisation and a realistic cinéma vérité style. He also acted in many Hollywood films, notably Rosemary's Babyand The Dirty Dozen. He studied acting with Don Richardson, using an acting technique based on muscle memory. Cassavetes considered directing to be a full-timehobby and himself an amateur filmmaker...
NationalityAmerican
ProfessionActor
Date of Birth9 December 1929
CountryUnited States of America
The idea of love as a mysterious, undiscovered world has come to have no place in our innermost imagination.
People have said that my films are very difficult to watch, that they're experiences you are put through rather than ones you enjoy, and it's true.
I’ve never seen an exploding helicopter. I’ve never seen anybody go and blow somebody’s head off. So why should I make films about them? But I have seen people destroy themselves in the smallest way, I’ve seen people withdraw, I’ve seen people hide behind political ideas, behind dope, behind the sexual revolution, behind fascism, behind hypocrisy, and I’ve myself done all these things. So I can understand them. What we are saying is so gentle. It’s gentleness. We have problems, terrible problems, but our problems are human problems.
You must be willing to risk everything to really express it all.
Films today show only a dream world and have lost touch with the way people really are... In this country, people die at 21. They die emotionally at 21, maybe younger... My responsibility as an artist is to help people get past 21... The films are a roadmap through emotional and intellectual terrain that provides a solution on how to save pain.
The greatest location in the world is the human face.
You can fail in films because you don't have the talent, or you have too much humility, or you lack ferociousness. I'm a gangster. If I want something, I'll grab it.
I’m very worried about the depiction of women on the screen. It’s gotten worse than ever and it’s related to their being either high- or low-class concubines, and the only question is when or where they will go to bed, with whom, and how many. There’s nothing to do with the dreams of women, or of woman as the dream, nothing to do with the quirky part of her, the wonder of her.
My films are expressive of a culture that has had the possibility of attaining material fulfillment while at the same time finding itself unable to accomplish the simple business of conducting human lives. We have been sold a bill of goods as a substitute for life. What is needed is reassurance in human emotions; a re-evaluation of our emotional capacities.
I won't make shorthand films, because I don't want to manipulate audiences into assuming quick, manufactured truths.
Ricardo Montalban is to improvisational acting what Mount Rushmore is to animation.
We only have two hours to change people's lives.
(Acting) is an extension of life. How you're capable of performing in your life, that's how you're capable of performing on screen.
We don't take the time to be vulnerable with each other