John Sayles
John Sayles
John Thomas Saylesis an American independent film director, screenwriter, editor, actor and novelist. He has twice been nominated for the Academy Award for Best Original Screenplay for Passion Fishand Lone Star. His film Men with Gunshas been nominated for the Golden Globe for Best Foreign Language Film. His directorial debut, Return of the Secaucus 7, has been added to the National Film Registry...
NationalityAmerican
ProfessionDirector
Date of Birth28 September 1950
CountryUnited States of America
The election helped me focus ideas that I had been thinking about for a long time, ... Sunshine State.
I always felt like, okay, I'm going to try to tell stories whatever way I can and it would be cool to make a movie, and tell a story that way.
You stay with the technology, you stay with the people, you don't rust.
There was a widespread indignation in the American media. They were saying, 'How can you make a movie during an election that's about politics? What are you doing? Are you trying to influence people's lives?' To which my response was, 'Well, I hope so.'
I was trying to think of a title for it, which is a hard thing. Limbo is basically a metaphor, anyway ... it's this place where you're neither here nor there ... and so many people live that kind of life.
And it was out in the theaters in two weeks. This is not, 'We're going to develop twenty-five and maybe one's going to get made,' so the first three things I wrote got up on the screen and, good, bad or indifferent, I got to see them on their feet.
It's a mixed crowd at the dogs - black, white, hispanic - but to Walt they all look like Jackie Gleason. Heavyset guys with big plans and polyester souls.
Michael Moore, whether you like him or hate him, has done something very important.
Fahrenheit 9/11 took public domain information that should have been on the news every night and put it in a film that a lot of people went to see. But still Bush has never had to answer those charges.
We just said, 'Okay, you're in the movie. Bring what you would bring for a three-day weekend and I hope you like the way you look in it because once you're on camera, that's your wardrobe.' But it worked; it worked and we were very surprised.
I remember being out here at the Sunset Marquis, and whoever knocked on the door, I would take that picture that I was writing and I would put that in the typewriter, so when I had the meeting, they would say: 'Oh, you're working on it right now?'
When I was really young I didn't know that there was such a thing as a screenwriter. I wrote stories.
I've always got five or six things that would either make a good feature or TV show. And you just never know. You go and you pitch and it may be exactly what they're looking for, or they may stop you after two sentences and say, "Oh, we've already done something just like that."
There were not fifteen people in the story department and twenty-five producers and stuff. And Roger had produced 1,000 movies and directed a couple of hundred, and their comments were always very, very specific.