Jonah Lehrer
Jonah Lehrer
Jonah Lehrer, is an American writer and speaker, once widely sought-after, who had major published works recalled for irregularities in their intellectual content. Lehrer received Columbia University neuroscience training and did graduate humanities coursework, and thereafter built a rapidly successful book, magazine, and new media career that integrated science and humanities content to address broad aspects of human behaviour. Having been contracted to write for the The New Yorker and Wired.com, Lehrer was discovered to have routinely recycled his earlier...
NationalityAmerican
ProfessionAuthor
Date of Birth25 June 1981
CountryUnited States of America
We need to be willing to risk embarrassment, ask silly questions, surround ourselves with people who don't know what we're talking about. We need to leave behind the safety of our expertise.
The answer will only arrive after we stop looking for it.
While human nature largely determines how we hear the notes, it is nurture that lets us hear the music.
It's a hard thing to describe. It's just this sense that you got something to say.
The best way to solve a problem? Try explaining it to somebody outside your field.
How do we regulate our emotions? The answer is surprisingly simple: by thinking about them. The prefrontal cortex allows each of us to contemplate his or her own mind, a talent psychologists call metacognition. We know when we are angry; every emotional state comes with self-awareness attached, so that an individual can try to figure out why he's feeling what he's feeling. If the particular feeling makes no sense—if the amygdala is simply responding to a loss frame, for example—then it can be discounted. The prefrontal cortex can deliberately choose to ignore the emotional brain.
...new ideas are merely several old thoughts that occur at the exact same time.
The only way to maximize group creativity—to make the whole more than the sum of its parts—is to encourage a candid discussion of mistakes. In part, this is because the acceptance of error reduces cost. When you believe your flaws will be quickly corrected by the group, you're less worried about perfecting your contribution, which leads to a more candid conversation. We can only get it right when we talk about what we got wrong.
Knowledge can be a subtle curse. When we learn about the world, we also learn all the reasons why the world cannot be changed. We get used to our failures and imperfections. We become numb to the possibilities of something new
Design is the conscious imposition of meaningful order.
Even when alternative views are clearly wrong, being exposed to them still expands our creative potential. In a way, the power of dissent is the power of surprise. After hearing someone shout out an errant answer, we work to understand it, which causes us to reassess our initial assumptions and try out new perspectives. “Authentic dissent can be difficult, but it's always invigorating,” [Charlan] Nemeth [a professor of psychology at the University of California at Berkeley] says. “It wakes us right up.
The imagination is unleashed by constraints. You break out of the box by stepping into shackles.
If you're trying to be more creative, one of the most important things you can do is increase the volume and diversity of the information to which you are exposed.
I always wanted to be a scientist, I always thought I'd be a scientist, that was the narrative I was carrying around. I worked in a neuroscience lab as an undergraduate and then after, almost five years in total, but I realized I just wasn't good at science. I didn't have the discipline for it.