Jose Antonio Vargas
Jose Antonio Vargas
Jose Antonio Vargasis a journalist, filmmaker, and immigration rights activist. Born in the Philippines and raised in the United States from the age of twelve, he was part of The Washington Post team that won the Pulitzer Prize for Breaking News Reporting in 2008 for coverage of the Virginia Tech shooting online and in print. Vargas also has worked for the San Francisco Chronicle, the Philadelphia Daily News, and The Huffington Post. He wrote, produced, and directed the autobiographical 2013...
NationalityFilipino
ProfessionJournalist
Date of Birth3 February 1981
Jose Antonio Vargas quotes about
The fact of the matter is, this country is not going to deport 11 million undocumented immigrants. What are we supposed to do with them? What are we supposed to do with these kids?
Laws are getting passed in states like Alabama that basically would punish American citizens who are 'harboring' people. Since the federal government hasn't been able to muster or to get comprehensive immigration reform passed, states are taking it upon themselves to police and enforce laws.
I always felt like I had the word "illegal" tattooed on my forehead.
The Internet is changing the way we think of our relationship with government; it has the potential to bring to life what Abraham Lincoln said about the presidency being an instrument of the people.
In Tagalog, we call undocumented people 'TNT,' which means tago ng tago, which means 'hiding and hiding.' So that's literally what undocumented means in Tagalog. And that kind of tells you how Filipinos think of this issue, and really any culture, right?
Kathy Dewar, my high-school English teacher, introduced me to journalism. From the moment I wrote my first article for the student paper, I convinced myself that having my name in print - writing in English, interviewing Americans - validated my presence here.
The film 'Documented,' a project of the nonprofit and nonpartisan Define American campaign, is about my families: the family I was blessed to be born into, and the family of friends, mentors and allies that I found when I moved to the United States at 12, a Filipino kid trying to make sense of my new home in America.
When I'm writing, I can always play around with tense. I can always make past present. I can always kind of manipulate, and I can always be delusional in a way that's completely self-serving. With film, it's like, the camera can't really lie. It can manipulate to a certain extent.