Julia Glass
![Julia Glass](/assets/img/authors/julia-glass.jpg)
Julia Glass
Julia Glassis an American novelist. Her debut novel, Three Junes, won the National Book Award for Fiction in 2002...
NationalityAmerican
ProfessionNovelist
Date of Birth23 March 1956
CountryUnited States of America
experience good ground learn life lifts lived neither nor novel people quite sensation
A good novel is an out-of-self experience. It lifts you off the ground so that you have the sensation of flying. It says, 'Look at the world around you; learn from the people in these pages, neither quite me nor quite you, how life is lived in so many different ways.'
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That's why you can't be a true Yankee without winter: because all the best pleasures are earned - the fire, the fried oysters; the warmer seasons, too. Who knows the real worth of summer at the beach without a good taste of the seaside in winter?
ask begin few fiction heads inside perhaps students whose works
There are very few works of fiction that take you inside the heads of all characters. I tell my writing students that one of the most important questions to ask yourself when you begin writing a story is this: Whose story is it? You need to make a commitment to one or perhaps a few characters.
affecting books pass permanent touch
The books I read, if they intrude on my writing, do so as weather will pass through and touch a landscape - affecting it, yes, but only now and then leaving a permanent mark.
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To me, stretching the capabilities of my imagination is a crucial aspect of writing fiction; you could think of it as a mental form of athleticism.
work
The old adage is, 'Write what you know.' But if you only do that, your work becomes claustrophobic. I say, 'Write what you want to know.'
Though I'm a New Englander, I'm very indoorsy once the mercury drops.
books love pleasures tactile variety
My love of books - not just of their tactile pleasures but of their astonishing variety - was born in a book-filled house; my father is a scholar.
inventing lives seem spend writer
As a writer of fiction, I spend my days inventing real lives for make-believe people; what I create can only seem real.
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Winter sports aren't my thing. You can have your boards and blades and your glacier-gripping cleats: My feet prefer to negotiate the ground on a pair of dependable soles.
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I love to eat, I love to feed people, and I'm a great cook. I joked with my friends that I wanted to write a book where desserts had to be extensively researched, since I have a terrible sweet tooth. My particular downfall is cake.
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From fifth grade on, I worked at our public library. The pay, a pittance, was almost superfluous. All through high school, I looked forward to summer as the time when I could work at the library four or five days a week. I was never a camp counselor, a lifeguard, a scooper of ice cream.
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At its best, fiction cultivates fantasy and compassion; at its worst, memoir provokes schadenfreude and prurience. The ugly truth, I fear, is that many people are drawn to sensational memoirs for the same reason they watch 'The Apprentice': they like to witness actual suffering, before-your-very-eyes humiliation.
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I have struggled for decades now with the fear of and resistance to change - mostly in the realms of technology, transportation, and the ways people choose to communicate. If I had a theme song, it would be that lovely song 'I'm Old-Fashioned,' as sung by Ella Fitzgerald.