Lars Trier
Lars Trier
Lars von Trier is a Danish film director and screenwriter, best known for his films Dancer in the Dark, Breaking the Waves, Melancholia and Europa. He is considered one of the great film auteurs and widely regarded as one of the most accomplished living directors in world cinema. In a prolific and controversial career spanning almost four decades, his work became distinct for its genre and technical innovation, the intensely confrontational - sometimes "humorous" - examination of existential, social and...
colors dance dancing fond glamorous levels necessary people turn understanding
We had to turn up the colors in the dance sequences to make people feel that there were different levels of the film. I was not so fond of that, because it made the dancing more glamorous in a superficial way than what I really wanted, but it was necessary for the understanding of the two levels.
chairs containing doors few landscape might named painting pleased room serpent simple suppose tiger
I suppose Swedenborg might have been pleased to have a room named after him, a wall-papered room with two chairs and two doors and a simple painting of a landscape containing a tiger and a serpent and a few birds.
added dialogue enjoy leads time
I enjoy dialogue that leads to something more comical, and at the same time I like the added poignancy, too.
task
I give myself a task. This time, the task was to do a musical.
amazing arise cancer five four probable succumbed types
I have maneuvered my way through four or five different types of cancer that I completely succumbed to. It's amazing how many probable types of cancer can arise when hypochondria permits.
religious t
I also wanted t do a film with a religious motif, a film about miracles. At the same time, I wanted to do a completely naturalistic film.
cast drive front insisted morning naked today
One morning I greeted the cast naked in the front drive and insisted that today was to be a nude day. No, we didn't have any nudity problems.
interested path taken
I've taken the circuitous path of being interested in people.
ambient capture forest mike scene tree
In the forest scene we had put a mike up a tree to capture the ambient sound... it is like reinventing movie-making, don't you see?
print problems ready time
I'm much calmer. We had a lot of time problems going to Cannes. The print was ready one day before it was shown. Now I feel very good.
four grow lived moved moving romeo sports trying
I'm moving to a new house. I moved away from where I was born. I lived there for 44 years, so I just moved. So I'm actually trying to grow up. And I got myself a sports car, that's fantastic, an Alfa Romeo Spider. It's a two-seater. I have four children. I feel like I'm 18 years old.
dull rather second time twice
I kind of have to see it through to the end, don't I? But at the same time it's also rather dull doing something for the second time, I must admit. I've never made anything twice in my life.
chuck escape essence habitual means time
The essence of my dramaturgical considerations is that I want to chuck out the most superfluous, habitual constraints and escape from rigidity, but at the same time film is a means of communication.
critical family members shown toward
The members of my family that I've shown the film to have also been severely critical toward it.