Madhur Bhandarkar

Madhur Bhandarkar
Madhur Bhandarkaris an Indian film director, script writer, and producer. He made his directorial debut with Trishakti and went on to direct several critically and commercially successful films...
NationalityIndian
ProfessionDirector
Date of Birth26 August 1968
CountryIndia
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For my film 'Fashion,' like an investigative journalist, I went about knowing the people, the models, the fashion designers. Similarly with the corporate world.
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Indian cinema is no more limited to audiences in India. We have viewers all around the world, and hence, understanding the global perspective is a must. Cinema Beyond Boundaries would get the viewers and the filmmakers together and would help us in serving them with good quality cinema.
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I got to make 'Trishakti' with Arshad Warsi, who was a newcomer at that time. The movie took three years to complete and became dated by the time it was released. The movie did not even get a proper release and bombed at the box office. It was a very bad patch of my life and a big disaster for my career.
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I pick my actors primarily based on my gut-feel. They could be rank newcomers or established stars, but if I feel they'll do justice to my characters, they are on. I think Bollywood is now looking towards Kollywood for new faces, and, to my mind, Suriya will be a very successful crossover star because he's very versatile.
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Whenever I come to Delhi, I forget about eating right and watching my weight.
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I am an emotional and fragile person. I observe life, I am perceptive and can read a person's body language. I have a strong journalistic streak in me, and had I not been a filmmaker, I would have become a film journalist. I have combined my perceptive and journalistic traits to create my own brand of cinema.
beliefs characters common connects conscious emotional encompass religious
My beliefs encompass all religions. But I never show my religious inclination in my films. My characters have dark sides; they aren't the god-fearing characters. It wasn't a conscious decision. I'm a very lazy and emotional person who connects with the common man.
blend larger life premise revolves shaping
As I had visualized, 'Heroine' is shaping up to be a very contemporary film with a different premise and strata. This film, like most of my other films, is a blend of facts and fiction. The film has a larger span, more characters, and costumes... a journey that revolves around an actress's life and the showbiz.
love religious travelling
I am a very spiritual person and love travelling to religious places. I go to the Golden Temple, Tirupati Balaji and Vaishno Devi every year.
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In my downtime, you'll mostly find me curled up with a book. I love reading biographies. My favourites are those of Dalai Lama, Osama Bin Laden, and Einstein.
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My entire career stands on the strong pillars of women-oriented films. This stems from the fact that I am sensitive to the entire aura and mystique of a woman and womanhood.
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My inherent belief is that motherhood is pious, and I am humbled by it.
almost apologetic avoiding bars based brutal change exposed films flow money people suit truth
After 'Chandni Bar' there was a shutdown of such bars in Mumbai. After 'Page 3' people started avoiding such events. 'Traffic Signal' exposed the money flow through the mafia. I'm not apologetic about the brutal truth in my films. Almost 70% of my films are based on reality, and 30% I fictionalize or change to suit my film.
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Films are meant solely to provide entertainment. There are no lessons to be learnt and and inferences to be drawn. Has anyone become dutiful and law abiding after seeing a film that espouses these very virtues? Films can do no more than influence fashion, decor, and hairstyle trends.