Marshall Herskovitz
Marshall Herskovitz
Marshall Schreiber Herskovitz is an American film director, writer and producer, and currently the President Emeritus of the Producers Guild of America. Among his productions are Traffic, The Last Samurai, Blood Diamond, and I Am Sam. Herskovitz has directed two feature films, Jack the Bear and Dangerous Beauty. Herskovitz was a creator and executive producer of the television shows thirtysomething, My So-Called Life, and Once and Again, and also wrote and directed several episodes of all three series...
NationalityAmerican
ProfessionDirector
Date of Birth23 February 1952
CityPhiladelphia, PA
CountryUnited States of America
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OK, I have to admit that I go on TheSuperficial.com. That guy is so funny, he's just so funny... you know, I'm a news junkie, so I regularly flip between HuffingtonPost.com, CNN.com, and a site that's called MyWay.com, which shows me six different news feeds. And I go on DrudgeReport.com about once a day.
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Even the most brilliant accomplishments on the Internet are essentially cold. Google has changed the world, but you don't snuggle up to it. YouTube is a giant carnival, filled with freaks and mountebanks, a place to gawk and laugh and get bored. Certainly not a place to feel anything.
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Hollywood is the perfect conduit for the urgent message about climate change. We raise awareness all the time. We routinely take a film that nobody knows about and get 80 percent of the public to know about it in just 30 days. That's called marketing. We need to harvest Hollywood for climate change awareness.
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Our founding fathers could not have foreseen that freedom of the press might eventually be threatened just as much by media consolidation as by government.
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Remember: the ratings system is a voluntary infringement of First Amendment rights, an uneasy bargain between the needs of parents, the needs of artists, and the needs of large media corporations to make profits. Any time we chip away at the First Amendment, we should at least do it with some reverence.
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Remember: the ratings system is a voluntary infringement of First Amendment rights, an uneasy bargain between the needs of parents, the needs of artists, and the needs of large media corporations to make profits. Any time we chip away at the First Amendment, we should at least do it with some reverence.
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The notion that moving toward renewable energy will kill jobs is an absurdity on its face. The notion that we have to live smaller lifestyles; not have the American way of life or give up the American Dream is just ridiculous. It is the opposite of the case; a new energy paradigm will create opportunity.
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For reasons we don't have to get into, climate change has become an incredibly polarized issue in the United States. I think that is sad. My own personal view is that we're in a planetary emergency such has not been seen in 600,000 years.
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In my personal belief, the big problem with climate change is getting people to understand the magnitude and scale that we're dealing with. If you buy a vehicle that gets 35 miles to the gallon, that means nothing; it's not enough. We need to make changes across society and in every piece of the energy pie.
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After I graduated from Brandeis, I took all the money I had in the world, which was $5,000, and I made a short film. I made every mistake you could possibly make. It was a total disaster as a piece of work, and yet, you know, it was ambitious in some way.
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It's interesting: I went 25 years without watching a single television show. I was one of those people, because I was so inside how a television show was made, if I would turn on somebody else's show, I would sit there and analyze it, like, 'Oh, so they had four hours in this location and had to get out and the number of set-ups, etc.'
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The further I've gotten into the Internet, the more I've become convinced that we've explored only a tiny corner of what it can mean and what we can feel there.
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Producers are now employees, not creators.
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Hey, if I had my choice for social engineering, I'd declare an automatic R-rating for any movie that depicts television commercials. There's a truly dangerous influence on our children.