Martin Campbell

Martin Campbell
Martin Campbellis a New Zealand TV and film director, best known for directing Bond movies GoldenEyeand Casino Royale. He also directed Green Lantern, The Mask of Zorroand The Legend of Zorro...
NationalityNew Zealander
ProfessionDirector
Date of Birth24 October 1943
CityHastings, New Zealand
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The great thing about it is that he makes mistakes and screws up. Bond finds violence hard to take, he won't admit to that. He has to do two killings, one is very messy. He falls in love with a girl, genuinely falls in love.
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The thing is, the Superman comics have been around a long time, and so have the movies. They've done a lot of Superman movies, as they have with Batman.
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If you compare it to 'Batman' and 'Superman,' the world of 'Green Lantern' is way bigger and potentially way more interesting in a lot of ways, I think.
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It is really the arc in which he becomes Bond. He starts out just having earned his double-0 stripes and comes out at the end the Bond we know and love.
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Of course, it'll probably be north of $100 million, as they tend to be, because these days, ironically enough, there's an awful lot of films that are costing that, but beyond that, I can't tell you.
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Bond in 'Goldeneye' is pretty much a set character. To be honest, he's another version of Connery, and Connery was terrific. How many submarines can you blow up? How many control rooms are evaporating?
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It's much easier to make a Superman or Batman film than a Green Lantern film.
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I suspect there are a bunch of us lone rangers out there.
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I tried to get a job as a TV cameraman and they basically told me, 'You're mad, everyone wants these jobs - and if you go to England, you're doubly mad.' But I worked in abattoirs for 10 months to earn my money, then left for London. I didn't even know what a director did.
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I like pre-production and post the best. I don't like shooting at all. I find it grueling and tough, but I love post and the whole process of seeing the film finally come together. You start ironing out all the rough spots, and the really bad bits you just throw away. So from day one of post to the last day, you see nothing but improvements.
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The 3D thing has been abused slightly, I think. There is no question about that. 'Avatar' did it magnificently, and then, of course, there was the old 'leaping on the bandwagon' thing where there have been one or two films which, let's face it, all know look bloody awful with the 3D.
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I remember standing Catherine next to Antonio and I thought, 'I don't even need to look at the screen tests. I know exactly,' and, as it turned out, they just work extremely well together.
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I felt 'Quantum of Solace' completely lost its way. We were lucky on 'Casino Royale:' it was the origin story of Bond. Bond had the one and only affair that meant anything to him, and affected him throughout the rest of the series.
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With 'GoldenEye,' the franchise got locked into this legal fight. They couldn't make new Bond movies for about seven years. It was my first huge production. I figured if I did at least a yeoman-like job, it would be greeted as a complete revival of the series.