Mary Lambert
Mary Lambert
Mary Lambertis an American director. She has directed music videos, television episodes and feature films, mainly in the horror genre...
NationalityAmerican
ProfessionDirector
Date of Birth13 October 1951
CityHelena, AR
CountryUnited States of America
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I look up to Tegan & Sara, obviously, Adele and Natalie Maines from the Dixie Chicks. All these artists are strong in their convictions, and they haven't changed who they are for the music business.
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That's why fame freaks me out in a lot of ways - because how genuine of a connection can you have when you're a commodity, and a conversation with you means bragging rights? That's terrifying to me.
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If I can sit down at my keyboard and have a melody that says something that I can't with words, that's a really beautiful thing.
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I would sing to my Beanie Babies, and I sort of created this alternate universe where I was famous, and there were thousands of people that I was singing to.
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If people can find something that they love about themselves after going to one of my shows, then I am so addicted to that feeling. It's the most gratifying thing on earth.
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I know how I want to operate as an artist. And that is by having an honest, genuine dialogue about this kind of screwed up journey I've had that I'm so thankful for.
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I think artists are scared to have same-gendered pronouns in their writing, and I don't think it's because they're scared to be out, because gay artists are visible, but they don't want to alienate an audience.
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I was going to be a teacher. I was applying to graduate school when I got the call to do 'Same Love,' actually. I was gonna go to Boston University for my masters in teaching.
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Being in Los Angeles is this brutal awakening, where I feel not good enough as soon as I walk into a room, and I'm wearing the wrong thing, or I don't have enough make up on. It's all about image.
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I think I streaked one time when I was 16, which was scary.
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I don't have all answers, but as far as viewing my body... I'm in a place where I can look at my stretch marks and say, 'Oh, hey, stretch marks!' and I'm over it.
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I don't think of my songs as sad songs. I think of them as vulnerable and honest. I crack jokes in between songs, so people don't leave feeling too dark.
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I knew when I shot the 'She Keeps Me Warm' video that the comments were not going to be homophobic... that they would be about fat-shaming. I'm a large girl making out with somebody. I knew just that sheer fact would set people off.