Michael Emerson
Michael Emerson
Michael Emerson is an American film and television character actor who is best known for his roles as serial killer William Hinks on The Practice, Benjamin Linus on Lost, Zep Hindle in the first Saw film, and Harold Finch on the CBS series Person of Interest. Emerson has also worked extensively in theater and narration. He has won two Primetime Emmy Awards and been nominated for three others, as well as receiving other awards and nominations. Emerson is married to...
NationalityAmerican
ProfessionTV Actor
Date of Birth7 September 1954
CityCedar Rapids, IA
CountryUnited States of America
I've been blessed by doing classic plays on Broadway, which was one of my great dreams forever.
It worries me a little bit the reach and power of TV. More people saw me in The Practice than will ever see me in all the stage plays I ever do. Which is sort of humbling. Or troubling. Or both.
There are roles that are terrifying because they're large or you may feel that they're out of your line, but I'm never terrified once the actual work begins. Once you begin rehearsal, then it's small building blocks. It's solving little problems one at a time.
Now they had to sit in separate places and sometimes they'd even have to sit outside and look through the windows. But they did worship together.
One of the things I like about performing on the stage is that it is a kind of meditative experience. Time does stand still. You have no concept or feeling of the passing of two or three hours' time. It's all kind of one present moment, which is a kind of a description of meditation.
In your actor's heart, you know when you're playing well. Others may not always agree with you, but I'm always aware of when the scene is cooking or not. You have an instinct about that from years of doing scenes and plays, and I think it stands you in good stead even in the TV world.
Maybe there's even anger. But if they make it through that they come to a new agreement, and they start creating a new culture, and it becomes something that people just - a lot of times they'll say, "I couldn't live without it. I just have to be there."
In part because they had no choice, right? If you were a slave, you did what the master said. And they said to worship: "You're going to worship with us."
Downsides, yeah, and when there are more downsides when churches first start - they go through stages of transforming to becoming multiracial. So in the beginning stages there's often a lot of pain, a lot of confusion, a lot of people leave.
We go where our family goes. We go where our friends are, and because our social networks are so segregated by race, we end up with what we have. We also find that, you know, if you're immigrants, you're not part of that history.
I have to conclude, oh, the best people are all somebody other than my own race. So that's difficult. How do we interpret the Bible? Should we stress things like justice and that God is somebody who cares about equality of all people? Or is he a God of love and a God who's there to give me an afterlife?
And then they would have the shoe removers on one side, and the non-shoe removers on the other side until they could work through coming to understand why we might both be trying to worship authentically, and because of our cultural background we have these different ideas. But it took a while.
It may be changing, but still it's the one place, that total control of an institution, that African Americans have. So sometimes, you know, you'll hear the statement of African Americans saying, "I have to work with whites.
We just say there are five, you know, racial groups in the US. I say that these folks are what we call a sixth American. There's something different. They are somebody who - they don't exist in any particular racial category, so they all feel it and they kind of congregate to each other.