Michael Moore
Michael Moore
Michael Francis Mooreis an American documentary filmmaker and author. He is the director and producer of Fahrenheit 9/11, a critical look at the presidency of George W. Bush and the War on Terror, which is the highest-grossing documentary at the American boxoffice of all time and winner of the Palme d'Or. His film Bowling for Columbine, which examines the causes of the Columbine High School massacre, won the Academy Award for Documentary Feature...
NationalityAmerican
ProfessionDirector
Date of Birth23 April 1954
CityFlint, MI
CountryUnited States of America
We're having a run like we've never had before. And it's fun.
They said VCRs would kill the movies; it didn't.
He has the funniest lines in the film. I am eternally grateful to him. (on President Bush)
The vast majority of the guns in the U.S. are sold to white people who live in the suburbs or the country. When we fantasize about being mugged or home invaded, what's the image of the perpetrator in our heads? Is it the freckled-face kid from down the street - or is it someone who is, if not black, at least poor?
If we didn't have Social Security, our seniors would live mostly in poverty. You'd have another 18 million people in poverty.
I'm not a pundit. I'm not an analyst.
WikiLeaks, God bless them, will save lives as a result of their actions.
Librarians in America do something like a couple of billion dollars worth of book business every year.
Fahrenheit 9/11: The temperature where freedom burns!
It should be a crime to make a profit off somebody being sick.
They may rail at this life - from the hour I began it, I've found it a life full of kindness and bliss; And until they can show me some happier planet. More social and bright, I'll content me with this.
Television has its own award. It's called the Emmy. It's a good award. I like it. I have one. But you don't see movies like 'The King's Speech' win Oscars and then go to TV and qualify for Emmys. In documentaries, some networks have been able to game the system.
We like nonfiction, and we live in fictitious times,