Michelle Paver
![Michelle Paver](/assets/img/authors/michelle-paver.jpg)
Michelle Paver
Michelle Paveris a British novelist and children's writer, known for the fantasy series Chronicles of Ancient Darkness, set in pre-agricultural Stone Age Europe. For the concluding book Ghost Huntershe won the Guardian Children's Fiction Prize, a book award judged by a panel of British children's writers...
NationalityBritish
ProfessionNovelist
Date of Birth7 September 1960
changing decide good rubbish test tube
Changing from biochemistry to law was easy because I was rubbish in the laboratory. I could never decide how much to put in a test tube because I'm not very good at maths.
ate food forest killer miles rode sorts strange swimming time whales
I rode 300 miles through the forest and ate all sorts of strange food. And every time 'Torak' did something new, like swimming with killer whales or kayaking, I thought I'd better go and do it.
carry people rather remind
I actually carry a little picture of a wolf in my wallet, rather like people carry a picture of their kids. The reason I do that is to remind myself why I'm doing this, to remind myself of the story.
occur quite
I live on my own, happily, and I've never wanted children, but it did occur to me one day that there's part of me in 'Torak' - he's a loner, I'm a loner - as there's part of me in 'Renn,' who's quite waspish. I think, in some senses, 'Torak' is the son I never had.
cottage family love mobile move nowhere rent
I would love to live in the wilds of nowhere, and when writing 'Chronicles,' I would occasionally rent a cottage in the middle of nowhere that had no mobile reception, but I'm not about to move away from my family.
agents leave work
In general, when I'm writing, I concentrate on the story itself, and I leave it to other people, such as agents and publishers, to work out who it's for.
constantly surprised
I'm constantly being surprised and finding unplanned things - because the writing is a process of experiencing things on the ground with the characters.
lights sort
For me, inspiration isn't a sort of spark which lights the fire of the story. It's more like a thread, one of many, which you can tease out of a story once it's written, if you feel so inclined.
horses relaxing wonder
I sometimes wonder why I do so much research - I look at other successful writers, and I think it must just be so relaxing to write about flying horses or something, but I have to make it plausible.
drop eight five gave massive material mind money people plenty stayed took
I didn't do it for the money. I know a lot of people say that, but if I'd wanted to be rich, I'd have stayed working as a city lawyer. I gave that up eight years ago and took a massive drop in salary, and I didn't mind because I was doing what I loved. There's plenty of material for the other five books.
female five job lawyer men myth personal pushing saw women
I saw myself as a trailblazer in the 1980s as a female lawyer in the City. It was exciting, as women were outnumbered by men five to one. But while I had this sense of trailblazing, in reality, I wasn't pushing boundaries; it was just a personal myth I'd created, as I was doing a job I wasn't enjoying.
warning sometimes
Sometimes there's no warning. Nothing at all.
arrows carry details fly fungus love maybe owl piece wrapped
It's the little details I love. How to fletch your arrows with owl feathers, because owls fly silently, so maybe your arrows will, too. How to carry fire in a piece of smouldering fungus wrapped in birchbark. These are the things which help a world come alive.
climbed eruption heavy helmet hours quite three watching
I've climbed Stromboli when it's erupting, which is quite a heavy climb: three hours with a helmet to get to the top. When you're there, and it's dark, and you can see this eruption and feel it, it's quite different to watching it on TV.