Miguel Syjuco
![Miguel Syjuco](/assets/img/authors/miguel-syjuco.jpg)
Miguel Syjuco
Miguel Syjucois a Filipino writer from Manila and the grand prize winner of the 2008 Man Asian Literary Prize for his first novel Ilustrado...
NationalityFilipino
ProfessionWriter
Date of Birth17 November 1976
bogged dealing domestic gets literature loss north relationships stories western woman
I look at western literature and especially North American literature, and I feel like it gets bogged down so much with all of that, with domestic stories and relationships and a woman dealing with the loss of her husband.
cautionary fears haunt optimistic represent tale tendencies worst
The Miguel Syjuco character is not me. I wanted him to represent my own fears and frustrations and guilt, my own worst tendencies and my optimistic expectations. He's a cautionary tale for me. But he's also an examination of the darkest things that haunt me as a person.
absurd love politics spectator sports
I love my homeland, but it's an absurd country. Politics in the Philippines is like spectator sports!
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I don't see myself as any different from all the other Filipinos who have gone abroad looking for opportunity, to be a nurse, a labourer, a maid or a prostitute.
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I treat my writing like a day job, like my main job, even if for many years I was doing other jobs to pay the bills. I worked as a copy editor. I was a medical guinea pig. I was an eBay power seller of ladies' handbags. I was an assistant to a bookie at the horse races. I bartended. I did anything I could to make ends meet.
fell hard love montreal moved studied university writer year
I studied in New York. I fell in love with an Australian-born, half-Filipina girl. So we moved to Australia when she went to her university and I moved with her. We moved to Montreal because she was going to take her year abroad, and I wanted to see if I could keep on writing there. It's really hard to make it as a writer in the Philippines.
cliches effective writers
Touching on universality is an important part of effective storytelling, but the problem with cliches is that they are tired and dull. And that's where writers must try to be artful.
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I have no illusions that my work can rouse the masses to create change, because literature simply doesn't have that power anymore in my country, if it does anywhere. But I do hope that it can be read by those who are in positions to create change, or that it can at least be part of that dialogue.
appeals creating discussion learned trying
I've learned that I have to be happy with creating discussion and debate and that I shouldn't be trying to write a book that appeals to the consensus.
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I grew up with a very privileged background. My father served as one of the cabinet ministers in Arroyo's government, and he's been a congressman for many years, and he's running again.
patience perfect perspective
Sometimes one waits too long for the perfect moment before snapping the picture. You never realize that you needed was to change perspective.
telling-the-truth martyr changed
History is changed by martyrs who tell the truth.
long-ago long not-alone
Clichés remind and reassure us that we're not alone, that others have trod this ground long ago.
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Being remembered is all anyone can ask from a lost love.