Nigel Hamilton
Nigel Hamilton
Nigel Hamiltonis an award-winning British-born biographer, academic and broadcaster, whose works have been translated into sixteen languages. In the United States he is known primarily for his best-selling work on the young John F. Kennedy, JFK: Reckless Youth, which was made into an ABC miniseries. In the United Kingdom, he is known for Monty, a three-volume official life of Viscount Montgomery of Alamein, the World War II Field Marshal which won both the 1981 Whitbread Award and the Templer Medal...
NationalityBritish
ProfessionAuthor
Date of Birth16 February 1944
For the serious biographer, history and the life story of a real individual are inseparably intertwined. Get the facts wrong, or distort them, and the life story gets distorted: becomes fiction.
I am all for charity in judging the men who have occupied the Oval Office over the past seventy years, given the huge responsibilities the president carries across the world.
I belong to the Boston Biographers Group - and get my monthly 'fix' from them. Where else can I sit down for two hours with people who understand the challenge I face, daily, as a life-chronicler?
I once wrote that Lord Moran, Churchill's doctor, had doctored his diaries as well as his famous patient. That was true but unfair. Although their authenticity as contemporary, daily accounts is often questionable, the observations are quite wonderful.
I was an 18-year-old kid, and I was in the heart of things in Washington. My interest in American politics and, particularly, the Kennedys, began then.
I'm fascinated by the concept of what I call 'clusters of creativity': the Brontes, the Waughs, families with several geniuses. I'm one of four; competition among siblings has to be a factor.
We should honor Franklin Delano Roosevelt today as the greatest commander in chief of the Armed Forces of the United States in our history, bar none - including President Lincoln.
If the reader doesn't understand what you're saying, you're talking to yourself.
We've sweated and torn out our hair trying to reconstruct our chosen lives, to fashion them like literary sculptures, at once monumental and yet human. We've applied all of our intelligence, our empathy, our critical faculties, our compassion - and we think, in our delusion, that it's still 1960, and our work is going to get noticed.