Norman Lear
Norman Lear
Norman Milton Lear is an American television writer and producer who produced such 1970s sitcoms as All in the Family, Sanford and Son, One Day at a Time, The Jeffersons, Good Times, and Maude. As a political activist, he founded the advocacy organization People for the American Way in 1981 and has supported First Amendment rights and progressive causes...
NationalityAmerican
ProfessionTV Producer
Date of Birth27 July 1922
CityNew Haven, CT
CountryUnited States of America
Norman Lear quotes about
Ratings translate into corporations, corporations that need a profit statement this quarter that's larger than the last.
You know, you throw rocks in the lake and scientists will tell you you're raising the level of the lake, but all you get to see is the ripple.
I think David E. Kelley, with his new deal, is vastly underpaid,
We had two African American writers [Eric Monte and Michael Evans] on the show ['Good Times'] that knew Cabrini Green inside and out, and that's why we set it there.
Life is about having a good time.
I wanted to just do a one-act play for 26 minutes, with commercials at the beginning and end. For years, I couldn't get my way. They wanted to interrupt three times.
Carroll O'Connor as Archie Bunker was a genius at work, God's gift to the world. He is etched permanently in our memories.
I guess the story that best defines us [with Bud Yorkin] and our relationship goes back to the [Dean] Martin and [Jerry] Lewis show. The four stage managers on that show became major TV creators and directors - John Rich, Jack Smight, Arthur Penn and Bud Yorkin.
Instead of keeping it in private hands on some wall someplace, this will travel to schools, to libraries in 50 states.
Ed Simmons and I became stars in the emerging medium of television. We were new and fresh, just like TV at the time, so we automatically became 'THE' comedy writers for television.
We had a Judeo-Christian ethic hanging around a couple thousand years that didn't help erase racism at all. So the notion of the little half-hour comedy changing things is something I think is silly.
I got a call from an agent to come to New York City, and write for the 'Ford Star Revue.' Because at the time there wasn't much 'national television'.
I was writing for live television. And I said to myself, someday, soon as I can, I have got to do a situation comedy.
I started by writing, with my partner Ed Simmons, a monologue for Danny Thomas, that he performed at Ciro's nightclub in Los Angeles.