Orhan Pamuk
Orhan Pamuk
Ferit Orhan Pamukis a Turkish novelist, screenwriter, academic and recipient of the 2006 Nobel Prize in Literature. One of Turkey's most prominent novelists, his work has sold over thirteen million books in sixty-three languages, making him the country's best-selling writer...
ProfessionNovelist
Date of Birth7 June 1952
CityIstanbul, Turkey
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The habit of collecting, of attachment to things, is an essential human trait. But Western civilization put collecting on a pedestal by inventing museums. Museums are about representing power. It could be the king's power or, later, people's power.
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I would be pleased if someone would invent a pill to remove my impatience, moodiness, and occasional bursts of anger. But if they did, I wouldn't be able to write my novels or paint.
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The opponents of this process have always tried to vilify westernization as a poor imitation.
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I believe in a world where there are no heroes, and I've read and know humanity a lot. There are moments that I admire in a person courage, intellect, hard work. These are the qualities I admire in an intellectual, in a writer, and there are so many people who have these things.
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When the whole world reads your books, is there any other happiness for a writer? I am happy that my books are read in 57 languages. But I am focused on Istanbul not because of Istanbul but because of humanity. Everyone is the same in the end.
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Good fiction is about asserting the beauties of the world, inventing a new, positive thing. Where am I going to get that? And it should be original; it should not be cliched. So the way I looked at history was not to accuse it of failure.
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I have the legacy of my father and his nocturnal automatic waking up. But I like those periods. I immediately have a different vision of humanity and my life.
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One side of me is very busy paying attention to the details of life, the humanity of people, catching the street voices, the middle-class, upper-middle-class secret lives of Turks. The other side is interested in history and class and gender, trying to get all of society in a very realistic way.
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'The Museum of Innocence' is not about politics; it's a love story, but I think it's political in the sense that it wants to capture how a man suppresses a woman.
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The truly great books are always novels: 'Anna Karenina,' 'The Brothers Karamazov,' 'The Magic Mountain.' Just as with 'Shahnameh,' I browse these books from time to time to remember how a great book works on us or to teach my students at Columbia University.