Ornette Coleman
Ornette Coleman
Randolph Denard Ornette Colemanwas an American jazz saxophonist, violinist, trumpeter, and composer. He was one of the major innovators of the free jazz movement of the 1960s, a term he invented with the name of an album. Coleman's timbre was easily recognized: his keening, crying sound drew heavily on blues music. He was awarded a MacArthur Fellowship in 1994. His album Sound Grammar received the 2007 Pulitzer Prize for music...
NationalityAmerican
ProfessionSaxophonist
Date of Birth9 March 1930
CityFort Worth, TX
CountryUnited States of America
I think those things that are in food are all chemically disastrous when they are placed in the wrong contents where human beings are exposed to it.
I think that there are lots of people that play music, but, basically, they have other things that are motivating them to play music.
Whatever you do, it's over when you do it - but first you have to do it.
It's just someone has labelled us as having a different label to do what you do. I find that labels are the worst thing in the world for artistic expression.
I'm having this conversation with you now. I'm talking, but I'm thinking, feeling, smelling, and moving. Yet I'm concentrating on what you're saying. So that means there's more things going on in the body than just the present thing that the person's got you doing.
Sound has no parents.
Jerry Garcia was one of the original American icons. He played naturally and beautifully.
I've never had a relationship with a record executive. I always went to the record company by someone that liked my playing. Then they would get fired, and I'd be left with the record company. And then - because they got fired - the record company wouldn't do anything for me.
The only thing my mother would say about my music-I'd say, "Mom, listen to this," and she'd say, "Junior, I know who you are.
Actually, when I was in elementary school, I saw a saxophone. A band came to my school, and I saw this guy get up and play this solo. And I said, 'Oh man, what is that! That must be fantastic!'
It just makes that person feel that what his work is is going to be more valid. But who wants to see a guy standing in front, looking like a bum, doing something that a bums don't do? This don't make sense.
I've had those people very interested in my writing. Since I think of myself as a composer, I feel really good. I've had lots of guys call me up. I've gotten two or three commissions to write things. I've written lots of movie scores.
Actually, I have another record I made with them in 1976, but I've had such a bad experience with record companies, because I keep my head so much in music and not in business.
I remember once, we got an interview, and he said, 'Dad, these people are writing about me like I'm an adult. Don't they know I'm a kid?' I have never tried to encourage him to get a music image like other musicians have.