Peter Jackson
Peter Jackson
Sir Peter Robert Jackson ONZ KNZMis a New Zealand filmmaker and screenwriter. He is best known as the director, writer and producer of The Lord of the Rings trilogyand The Hobbit trilogy, both of which are adapted from the novels of the same name by J. R. R. Tolkien. Other notable films include the critically lauded drama Heavenly Creatures, the mockumentary Forgotten Silver, the horror comedy The Frighteners, the epic monster remake film King Kongand the supernatural drama film The...
NationalityNew Zealander
ProfessionDirector
Date of Birth31 October 1961
CityPukerua Bay, New Zealand
The idea of an animated film is you always kind of get a little bit daunted by it as a filmmaker because it feels like a lot of your communication is going to be with computer artists, and you're going to have to kind of channel the movie through extra pairs of hands.
I think we're going to enter a phase where there's less interest in the CGI and there's a demand for story again. I think we've dropped the ball a little bit on stories for the sake of the amazing toys that we've played with.
I wanted the game to be able to take the audience a bit further than what the film could. And the final climax of the game gave us an opportunity to do something that the film could not do, which was to have an alternate ending - obviously everybody pretty much knows how King Kong ends.
It had such a profound affect on me as a 9-year-old that it made me want to make films. The next day I got my parents' Super 8 movie camera and started to do stop-motion animation with a clay dinosaur.
It is a wonderful acknowledgment of what has been a six-year journey to make and release this first film in 'The Lord of the Rings' trilogy.
It is a major surgery. Major by any definition of the word.
We had all been expecting Junior to sign a deal with Northampton, but it hasn't worked out.
Piracy has the very real potential of tipping movies into becoming an unprofitable industry, especially big-event films,
I'm so honored and relieved that the academy and the members of the academy that have supported us have seen past the trolls and the wizards and the hobbits in recognizing fantasy this year,
I think it promises to be a good Yorkshire derby. But we are definitely confident of winning.
We used a lot of computer technology, and I think New York looks pretty convincing. I think most people will think we got in a time machine and somehow shot it in New York in '33.
We made a promise to ourselves at the beginning of the process that we weren't going to put any of our own politics, our own messages or our own themes into these movies. What we were trying to do was to analyze what was important to Tolkien and to try to honor that. In a way, we were trying to make these films for him, not for ourselves.
We're very pleased with our fundraising so far in this campaign. We have eight times the cash on hand as our opponent, and even though he spent $2 million in his primary, we're tied in the latest Mason-Dixon poll,
When you're starting out, you know, you have to do something on a very limited budget. You're not going to be able to have great actors, and you're most likely not going to have a great script.