Peter Jackson
Peter Jackson
Sir Peter Robert Jackson ONZ KNZMis a New Zealand filmmaker and screenwriter. He is best known as the director, writer and producer of The Lord of the Rings trilogyand The Hobbit trilogy, both of which are adapted from the novels of the same name by J. R. R. Tolkien. Other notable films include the critically lauded drama Heavenly Creatures, the mockumentary Forgotten Silver, the horror comedy The Frighteners, the epic monster remake film King Kongand the supernatural drama film The...
NationalityNew Zealander
ProfessionDirector
Date of Birth31 October 1961
CityPukerua Bay, New Zealand
I have greatly enjoyed my collaborations with Howard Shore, whose musical themes made immeasurable contributions to 'The Lord of the Rings' trilogy, ... During the last few weeks, Howard and I came to realize that we had differing creative aspirations for the score of 'King Kong.' Rather than waste time arguing with a friend and trying to unify our points of view, we decided amicably to let another composer score the film. I'm looking forward to working with James Newton Howard, a composer whose work I've long admired, and I thank Howard Shore, whose talent is surpassed only by his graciousness.
Rather than waste time arguing with a friend and trying to unify our points of view, we decided amicably to let another composer score the film,
It had such a profound affect on me as a 9-year-old that it made me want to make films. The next day I got my parents' Super 8 movie camera and started to do stop-motion animation with a clay dinosaur.
It is a wonderful acknowledgment of what has been a six-year journey to make and release this first film in 'The Lord of the Rings' trilogy.
It is a major surgery. Major by any definition of the word.
We had all been expecting Junior to sign a deal with Northampton, but it hasn't worked out.
Piracy has the very real potential of tipping movies into becoming an unprofitable industry, especially big-event films,
I'm so honored and relieved that the academy and the members of the academy that have supported us have seen past the trolls and the wizards and the hobbits in recognizing fantasy this year,
I think it promises to be a good Yorkshire derby. But we are definitely confident of winning.
We used a lot of computer technology, and I think New York looks pretty convincing. I think most people will think we got in a time machine and somehow shot it in New York in '33.
We made a promise to ourselves at the beginning of the process that we weren't going to put any of our own politics, our own messages or our own themes into these movies. What we were trying to do was to analyze what was important to Tolkien and to try to honor that. In a way, we were trying to make these films for him, not for ourselves.
We're very pleased with our fundraising so far in this campaign. We have eight times the cash on hand as our opponent, and even though he spent $2 million in his primary, we're tied in the latest Mason-Dixon poll,
When you're starting out, you know, you have to do something on a very limited budget. You're not going to be able to have great actors, and you're most likely not going to have a great script.
When you look at the original 'Paradise Lost' film, you see three kids who can't defend themselves, being persecuted in a medieval way - witchcraft, satanic worship. It was kind of primitive.