Philip Hoffman
Philip Hoffman
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The movie is about knowing that somebody has lost his soul out there, somebody has destroyed a part of himself. ... The minute he saw Perry Smith, the outcome was inevitable that two men would die -- one literally and the other figuratively.
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If you have that kind of intimacy alongside ambition, ultimately it's going to leave an incredibly tragic impression on his psyche and spirit. He paid a huge price to write one of the great books of the 20th century. Capote didn't go to Kansas. Kansas reached out to New York and grabbed Capote. The minute he met Perry Smith, it was inevitable that these two men were going to die, one literally and one figuratively, because the identification they shared was too deep. The minute he got Perry to open up about his own life, and he learned they were both orphans, they were both abandoned children, he sees his muse, and that's the beginning of the end. Kansas sprung a trap on him.
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I would vouch for those two in the room with a very strong conviction. I was saying to the executives, 'If you believe in me, believe in them.' We kind of all went out on a limb together.
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You know, I literally lost all control of my bowels up there. I couldn't think. I was swimming in my head. So I was lucky to get out what I got out.
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That's what attracted me to it. I wasn't interested in doing it if it was just going to be about trying to portray Truman Capote and if I could be successful or not. It really was about the inevitability of a tragedy unfolding.
proud
We're at the party, mom. Be proud mom, because I'm proud of you.
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To play a bad guy in an action movie is something I've never done, and I don't know if I'll ever do it again. So this is really that opportunity, and it's the perfect place to do it, perfect people to do it with.
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Wow, I'm in a category with some great, great, great actors, fantastic actors, and I'm overwhelmed. Really overwhelmed.
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If that stuff does transpire, I'm very excited. I think I would be more nerve-wracked or nervous if it was just about me as an actor, ... But it is more than that/ What if a ton of people saw this movie ... our first film? Awards season can always help a film that way.
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when he was becoming more and more diseased. I was trying to capture the man at the height of his powers.
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But because of his intelligence, his wit and his insightfulness and his kind of all-consuming warmth, that would go away.
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I have known Bennett a long time, ... I know a lot about him and he knows a lot about me, and I never doubted he would make the best film possible.
hit
If we hit Truman's part right, it would reverberate. So that's what I concentrated on: Getting it right.
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When I started studying him, then became semi-obsessed with him, I saw the parallels, ... In our ages, that we're both artists, in the price that's paid for going after something with complete focus, with blinders on. And the discovery that what you wish for most probably won't bring you happiness.