Quincy Jones
Quincy Jones
Quincy Delightt Jones, Jr., also known as "Q", is an American record producer, conductor, arranger, composer, musician, television producer, film producer, instrumentalist, magazine founder, entertainment company executive, and humanitarian. His career spans six decades in the entertainment industry and a record 79 Grammy Award nominations, 28 Grammys, including a Grammy Legend Award in 1991...
NationalityAmerican
ProfessionMusic Producer
Date of Birth14 March 1933
CityChicago, IL
CountryUnited States of America
Irvin has a broad taste. That's why he had all those (vocalist) girls. He had everybody, man. It was across the board and I think that's what we shared, that diversified taste.
After I learned the piano, I went on to learn percussion, the tuba, b-flat baritone, French horn, trombone, trumpet, most of the instruments in the orchestra. Trumpet was my instrument.
Melody is king, and don't you ever forget it. Lyrics appear to be out front, but they're not; they're just an accompanying factor. If they're good, you're really in good shape. Lyrics are written to be rewritten.
I have all the tools and gadgets. I tell my son, who's a producer, 'You never work for the machine; the machine works for you.'
I've never been bored in my life, man. I've never been bored or lonely. Are you kidding? No way! I'm an orchestrator, a musician, a producer. I love everything. I've studied languages from Farsi to Greek to French, Swedish, Russian... How can you get bored?
I believe that a hundred years from now, when people look back at the 20th century, they will look at Miles, Bird, Clifford Brown, Ella and Dizzy, among elders as our Mozarts, our Chopins, our Bachs and Beethovens.
Without the Fender bass, there'd be no rock n' roll or no Motown. The electric guitar had been waiting 'round since 1939 for a nice partner to come along. It became an electric rhythm section, and that changed everything.
Frank Sinatra took me to a whole new planet. I worked with him until he passed away in '98. He left me his ring. I never take it off. Now, when I go to Sicily, I don't need a passport. I just flash my ring.
I didn't understand key signatures or anything, you know. I'd say silly things at the top of a trumpet part like, 'Note, when you play B naturals, make the B naturals a half step lower because they sound funny if they're B naturals.' And some guy said: 'Idiot, just put a flat on the third line and it's a key signature, you know?'
Seattle is like a global gumbo, a melting pot with all kinds of people - the rich, the poor, white people, some Chinese, Filipino, Jewish and black people - they're all here.
I lost my mother when I was 7 and they put her in a mental hospital. My brother and I watched her being taken away in a strait jacket. That's something you never forget. And my stepmother was like in the movie 'Precious.' I couldn't handle it. So I said to myself, 'I don't have a mother. I don't need one. I'm going to let music be my mother.'
I'm probably the only one in the world you can name that's worked with Billie Holiday, Louie Armstrong, Ella, Duke, Miles, Dizzy, Ray Charles, Aretha, Michael Jackson, rappers. 'Fly Me to the Moon' was played on the moon by Buzz Aldrin. Sinatra. Paul Simon. Tony Bennett. I'm the only one.
I believe in astrology as much as I do in genetics.
I met Ray Charles at 14, and he was 16. But he was like a hundred years older than me.