Rebecca Solnit
Rebecca Solnit
Rebecca Solnitis an American writer. She has written on a variety of subjects, including the environment, politics, place, and art. Solnit is a contributing editor at Harper's Magazine, where bi-monthly she writes the magazine's "Easy Chair" essay...
NationalityAmerican
ProfessionWriter
Date of Birth11 June 1961
CountryUnited States of America
anxieties concerns emotions future gratuitous intense people pulls talk trivial
I feel often that we don't have the right language to talk about emotions in disasters. Everyone is on edge, of course, but it also pulls people away from a lot of trivial anxieties and past and future concerns and gratuitous preoccupations that we have, and refocuses us in a very intense way.
activists among best built count freedoms gifts last protected struggles won
The world you live in is not a given; much of what is best in it has been built through the struggles of passionate activists over the last centuries. They won us many freedoms and protected many beauties. Count those gifts among your growing heap.
according holding man men though
Men explain things to me, still. And no man has ever apologized for explaining, wrongly, things that I know and they don't. Not yet, but according to the actuarial tables, I may have another fortysomething years to live, more or less, so it could happen. Though I'm not holding my breath.
writing black-and-white shade
There are infinite shades of grey. Writing often appears so black and white.
arctic colossal coral costs including melting money planet species
The more we heat up the planet, the more it costs all of us, not just in money, but in colossal famines, displacements, deaths, and species extinctions, as well as in the loss of some of the things that make this planet a blue-green jewel, including its specialized habitats from the melting Arctic to bleaching coral reefs.
commitment people fundamentals
While a lot of people want to join the left to react against the mainstream or right, I in many ways react against the left - not a lot of its fundamental commitments, but its often dismal tone, righteousness, defeatism, etc.
special promenade walking
The promenade is a special subset of walking.
ice sea stories
Stories are compasses and architecture, we navigate by them, we build our sanctuaries and our prisons out of them, and to be without a story is to be lost in the vastness of a world that spreads in all directions like arctic tundra or sea ice.
self space despair
The bigness of the world is redemption. Despair compresses you into a small space, and a depression is literally a hollow in the ground. To dig deeper into the self, to go underground, is sometimes necessary, but so is the other route of getting out of yourself, into the larger world, into the openness in which you need not clutch your story and your troubles so tightly to your chest.
two often-is perspective
We are often in two places at once. In fact we are usually in at least two places and occasionally the contrast is evident....Here, most often, is nothing more than the best perspective to contemplate there.
cities way limits
Walkers are 'practitioners of the city,' for the city is made to be walked. A city is a language, a repository of possibilities, and walking is the act of speaking that language, of selecting from those possibilities. Just as language limits what can be said, architecture limits where one can walk, but the walker invents other ways to go.
fossils different himalayas
There are fossils of seashells high in the Himalayas; what was and what is are different things.
time war fighting
Time itself is our tragedy and most of us are fighting some kind of war against it.
pain care purpose
Pain serves a purpose. Without it you are in danger. What you cannot feel you cannot take care of.