Rick Riordan
Rick Riordan
Richard Russell "Rick" Riordan, Jr. is an American author known for writing the Percy Jackson & the Olympians series, which is about a twelve-year-old who discovers he is a son of Poseidon. His books have been translated into 37 languages and sold more than 30 million copies in the US. Twentieth Century Fox has adapted the first two books of his Percy Jackson series as part of a series of films. His books have spawned related media, such as graphic novels...
NationalityAmerican
ProfessionYoung Adult Author
Date of Birth5 June 1964
CountryUnited States of America
She led the way. Eyeless sockets of the dead seemed to stare at them as they passed. "These are cool," Dan decided. "Maybe I could-" "No, Dan," Amy said. "You can't collect human bones." "Awww.
Amy, Dan, and Nellie were sitting at a table in a conference room, examining reproductions of Franklin documents-some so rare, the librarians told her, the only copies existed in Paris. "Yeah, here's a rare grocery list," Dan muttered. "Wow.
God alert!" Blackjack yelled. "It's the wine dude! Mr. D sighed in exasperation. "The next person, or horse, who calls me the 'wine dude' will end up in a bottle of Merlot!
With her braided hair and white dress, she seemed to glow in the moonlight.
Daddy will explain. Come, he is blowing up monsters.
I turned to Dionysus. "You cured him?" "Madness is my specialty. It was quite simple." "But...you did something nice. Why?" He raised and eyebrow. "I am nice! I simple ooze niceness, Perry Johansson. Haven't you noticed?
Monkey bar," Annabeth said. "I'm great at these." She leaped onto to the first rung and start swinging her way across. She was scared of tiny spiders, but not of plummeting to her death from a set of monkey bars. Go figure.
Right," she said, "We're going to the Land of the Dead and I shouldn't think negative.
It's hard to know what [literature] will end up being timeless and what will be something that doesn't translate into the future, especially with the way we're evolving since our culture is changing so fast.
I try to craft books that are fun, that are sort of subversively educational so kids learn but they don't really feel like they're being lectured to, and I want kids to always finish one of my books and think, "That was great, where's the next one?"
The most important thing whenever we're connecting kids to books, is that we try to match the book to the kid and make sure that reading is a fun, rewarding experience outside the classroom.
When I was in college, my parents' house burned down, and took a lot of the possessions I'd grown up with. That's probably one thing that made me realize material stuff is not really that important.