Robbie Robertson
Robbie Robertson
Jaime Royal "Robbie" Robertson, OC, is a Canadian singer-songwriter and guitarist best known for his work as lead guitarist and primary songwriter for The Band. As a songwriter, he is credited for "The Weight", "The Night They Drove Old Dixie Down", "Up on Cripple Creek", "Broken Arrow", "Somewhere Down the Crazy River", and many others. He has been inducted into the Canadian Songwriters Hall of Fame and was ranked 59th in Rolling Stone magazine’s list of the 100 greatest guitarists...
NationalityCanadian
ProfessionRock Singer
Date of Birth5 July 1943
CityToronto, Canada
CountryCanada
I love traditional music. But in any culture around the world, there is the historic and cultural music and everything that's been passed down and passed down, and hopefully you take that, and then you take it, you know, the next distance, and then somebody else takes it the next distance.
I am fascinated by the places that music comes from, like fife-and-drum blues from southern Mississippi or Cajun music out of Lafayette, Louisiana, shape-note singing, old harp singing from the mountains - I love that stuff. It's like the beginning of rock and roll: something comes down from the hills, and something comes up from the delta.
I've always been in love with that Delta-flavored music... the music that came from Mississippi and Memphis and, especially, New Orleans. When I was 14, I was in a wanna-be New Orleans band in Toronto.
I was a storyteller for The Band. It was never, 'Hey guys, here's a song about what happened to me.' I was always more comfortable writing fiction.
I think the most important thing here is... paying homage to other artists. Everybody (is) passing the baton because there are many people who are going to be in this show. If it wasn't for them, a lot of the rest of us wouldn't be doing this.
I thought of a lot of people from the same era when I was making a lot of records that had continued making a lot of records. A lot of it didn't seem terribly inspired.
It all added up to something that's making me feel proud,
My mother was a Mohawk, born and raised on a reservation, and when I was a kid, she would take me there to visit her relatives.
My mother is extraordinary. She understood me and never tried to hold me back.
My mother told me when I was a toddler and in the crib that they would have music playing, and the thing when I lit up was boogie-woogie or something out of the Louie Jordan period of sometimes big bands, and then all kinds of things.
When you look at that period when Warhol and the Velvets and the Stones were doing things, it was this intersection of art and music. And then it went away.
The previous collections that have been done on The Band were OK,
I always like to keep one hand in the tepee and the other hand in the synagogue. Wouldn't it be great if there was a combination of the two? You could go to synagogue, and it would be really hot in there.
Sixteen years on the road is long enough. Twenty years is unthinkable.