Robert Osborne

Robert Osborne
Robert Jolin Osborneis an American film historian and former actor best known as the primary host for Turner Classic Movies. Prior to TCM, Osborne had been a host on The Movie Channel...
NationalityAmerican
ProfessionActor
Date of Birth3 May 1932
CountryUnited States of America
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My folks were busy. My dad was a teacher, and it was during the Second World War, and my mother was working. So I got my stories from films and books. I read a lot, and I love to read to this day.
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There comes a time when even icons, if they choose to do so, should be allowed to enjoy life out of the spotlight.
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I was shaped by the heroes in the films I saw, which you always want to emulate and be like. I wanted to be like Alan Ladd, Gary Cooper, Jimmy Stewart.
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You see a Clint Eastwood movie, and you might not know if it's from Universal or Warner Bros. or another studio. He has affiliations with so many studios now, but there was a time when you'd just look at a movie and think, 'Oh, that's a Warner Bros. film.'
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He shows great potential, but he's not there yet. But they weren't 'there' after being in the public eye for as short a time as Clooney has. It takes a long time to be a Cary Grant, to win the affection of the world the way he did.
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I always felt that Bette Davis was one of the great screen actresses who never really got her due - she won two Oscars, but the last was in 1938, and that was really before all the great work that she did.
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I still think of Columbia as one Rita Hayworth movie a year, or maybe one a year directed by Frank Capra in the '30s. To see how many really outstanding movies Columbia made, and all together, is kind of eye-opening.
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My love of movies started when I was 7 years old, living in a small town, going to the movies all the time, and finding the people in the movies more interesting than the people in my small town. Also, at that time, it wasn't that easy to find out about movies.
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I liked 'The Help,' and I love Viola Davis. But I didn't think that film was a great film; I thought that was a very uneven film. I thought the Southern women were so caricatured that it was kind of like 'Harper Valley PTA' or something like that.
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'The Hollywood Reporter' was always in. You always got great tables. You always got great seats at screenings. You always got treated well if you were at the paper.
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I think Kennedy being assassinated changed the world. That shot changed everything about America, and made us cynical, made people discontent and angry.
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The weird thing with 'Kismet' is that Vincente Minnelli didn't know what to do with a Cinemascope camera for that film - so he never moved it! It's like in the old days when sound first came in and was so complicated that the camera just sat there. There are hardly any close-ups in 'Kismet,' so everything's at a bit of a distance.
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There's an excellent movie we have on TCM called 'It Happened on Fifth Avenue,' which was originally going to be directed by Frank Capra... but just before he was going to start working on it, he came across this story called 'The Greatest Gift.' And that turned into 'It's a Wonderful Life.'
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Most of those big movies are not that wonderful. This trend toward honoring smaller films ù it's a very healthy one.