Sam Shepard
![Sam Shepard](/assets/img/authors/sam-shepard.jpg)
Sam Shepard
Samuel Shepard Rogers III, known professionally as Sam Shepard, is an American playwright, actor, author, screenwriter, and director, whose body of work spans over half a century. He is the author of forty-four plays as well as several books of short stories, essays, and memoirs. Shepard received the Pulitzer Prize for Drama in 1979 for his play Buried Child. He was nominated for an Academy Award for Best Supporting Actor for his portrayal of pilot Chuck Yeager in The Right...
NationalityAmerican
ProfessionPlaywright
Date of Birth5 November 1943
CountryUnited States of America
In the original New York production, which I directed, I had the good fortune to encounter a bluegrass group called the Red Clay Ramblers, out of Chapel Hill, North Carolina. Their musical sensibilities, musicianship, and great repertoire of traditional and original tunes fit the play like a glove.
Sometimes in someone's gestures you can notice how a parent is somehow inhabiting that person without there being any awareness of that. Sometimes you can look at your hand and see your father.
I think a part of the reason that those early plays were short was that I just kept having these ideas, and I'd just go off and write them. I wasn't trying to write one-act plays - it's just how the ideas would be expressed. Every condition I was in seemed like it could be a play.
I'm still very much a believer in the spontaneity of certain kinds of writing. But then you have to eventually, when you're writing a long play, make adjustments along the way - all kinds of adjustments.
When you hit a wall – of your own imagined limitations – just kick it in.
The funny thing about having all this so-called success is that behind it is a certain horrible emptiness.
Keep away from fantasy. Shake off the image,
Caryl Churchill is a writer of some note, but in the sack, she makes me explain everything.
My dad's side of the family ... they're a real bizarre bunch, going back to the original colonies. That side's got a real tough strain of alcoholism. It goes back generations and generations, so that you can't remember when there was a sober grandfather.
You can't make a living as a playwright. You can barely scrape by.
I'm a writer. The more I act, the more resistance I have to it. If you accept work in a movie, you accept to be entrapped for a certain part of time, but you know you're getting out. I'm also earning enough to keep my horses, buying some time to write.
It's funny, in a way the actor is a writer. It's not like the two things are so separate as to be like apples and oranges. The writer and the actor are one.
The words I overuse are all adverbs.
My dad had a lot of bad luck. You could see his suffering, his terrible suffering, living a life that was disappointing and looking for another one.