Sandra Cisneros
Sandra Cisneros
Sandra Cisnerosis an American writer best known for her acclaimed first novel The House on Mango Streetand her subsequent short story collection Woman Hollering Creek and Other Stories. Her work experiments with literary forms and investigates emerging subject positions, which Cisneros herself attributes to growing up in a context of cultural hybridity and economic inequality that endowed her with unique stories to tell. She is the recipient of numerous awards including a National Endowment for the Arts Fellowship, and is...
NationalityAmerican
ProfessionNovelist
Date of Birth20 December 1954
CityChicago, IL
CountryUnited States of America
I thought that strange syntax was the language of story books. I didn't realize those were poor translations... English from Edwardian times.
I have to say my favorite stories are ghost stories. I don't like to see these made-up monster films or scary films with ghosts. It doesn't do anything to me. But a real ghost story that someone tells me, that I like.
To tell you the truth, I think it's about that we shouldn't get our driver's licenses till real late in life.
We are told by media - books, television, reality shows - that heartbreak is this terrible thing and yet we should seek it. We're told that heartbreak is all about love and we should just go after that high over and over again. We are told it is healthy to be addicted to this kind of behavior and the highs associated with love. But, that's not all what heartbreak is.
We started an organization that's the only sub-organization of the MacArthur Foundation and we are called the Macarturos.Usually when I win something, I'm the only one of my ethnicity to get it, but this time I met all these Latinos, and I was so excited. I'd meet someone and I'd go, "Can you come to San Antonio?" And they'd go, "Oh yeah." And suddenly I had twelve people that said they would come. And I didn't know how it was going to be. And that's how the Macarturos became a reality, where these very generous geniuses come to San Antonio and work together.
And the nice thing about writing a novel is you take your time, you sit with the character sometimes nine years, you look very deeply at a situation, unlike in real life when we just kind of snap something out.
In English, my name means hope. In Spanish, it means too many letters. It means sadness. It means waiting. It is like the number nine, a muddy color.
My father always defined my gender to my brothers. He'd say, 'This is your sister; you must take care of her.'
I spent my thirties living out of boxes and moving every six months to a year. It was my cloud period: I just wandered like a cloud for ten years, following the food supply. I was a hunter, gatherer, an academic migrant.
I wasn't aware that 'House on Mango Street' was so influenced by Spanish until after I finished.
I think that Mexican-American kids live in a global world. It's not even bi-, it's multi-. You know, for those of us who grew up with different countries on our block, different nationalities, you know, we moved into multiple worlds.
I was a little press writer when the National Endowment for the Arts came to my rescue and gave me an award. I couldn't buy a light bulb. Almost more than the money, the awards are important because they show that someone believes in you.
I was a terrible student. Still, I managed to get into college, but my daydreaming threatened to sabotage me. I used behavior modification to break the cycle. I started by setting an arbitrary time limit on studying: for every 15 minutes of study, I'd allow myself an hour of daydreaming. I set the alarm.
Writing is like sewing together what I call these 'buttons,' these bits and pieces.