Sharon Kay Penman
Sharon Kay Penman
Sharon Kay Penmanis an American historical novelist, published in the UK as Sharon Penman. She is best known for the Welsh Princes trilogy and the Plantagenet series. In addition, she has written four medieval mysteries, the first of which, The Queen's Man, was a finalist in 1996 for the Best First Mystery Edgar Award. Her novels and mysteries are set in England, France, and Wales, and are about English and Welsh royalty during the Middle Ages. The Sunne in Splendour,...
NationalityAmerican
ProfessionNovelist
Date of Birth13 August 1945
CountryUnited States of America
I certainly know all about the Jersey jokes that amuse the rest of the country. You've probably heard them. Our state bird is the mosquito. Our state tree is dead. It doesn't help that we are represented on television by Tony Soprano and 'Jersey Shore.'
It usually takes me about three years to research and write one of my historical sagas; this is one reason why I take medieval mystery breaks, for they can be completed in only a year.
I was actually born in New York City, but my family moved to Atlantic City when I was five, this being my dad's home town, so I think that qualifies me as a Jersey resident if not a bona fide native.
In writing my historical novels, I have to rely upon my imagination to a great extent. I think of it as 'filling in the blanks.' Medieval chroniclers could be callously indifferent to the needs of future novelists. But I think there is a great difference between filling in the blanks and distorting known facts.
Respect can be as elusive as the unicorn. I know something of this because I write books that are set in the Middle Ages, and the historical novel is often seen as the unwanted stepchild in the fictional family. I know even more about respect - or the lack thereof - because I live in New Jersey.
I do not set specific work hours as some writers do. I generally stay with a chapter until I am satisfied, do very little rewriting, and if a scene is going well, I've been known to keep night owl hours.
My novels about medieval Wales were set in unexplored terrain; my readers did not know what lay around every bend in the road.
I feel that historical novelists owe it to our readers to try to be as historically accurate as we can with the known facts. Obviously, we have to fill in the blanks. And then in the final analysis, we're drawing upon our own imaginations. But I think that readers need to be able to trust an author.
When I moved to Wales more than twenty years ago and began to research 'Here Be Dragons,' I was fascinated from the first by the Welsh medieval laws, by the discovery that women enjoyed a greater status in Wales than elsewhere in Europe.
I’ll admit that my garden now grows hope in lavish profusion, leaving little room for anything else. I suppose it has squeezed out more practical plants like caution and common sense. Still, though, hope does not flourish in every garden, and I feel thankful it has taken root in mine.
Men are born to sin…What does matter most, is not that we err, it is that we do benefit from our mistakes, that we are capable of sincere repentance, of genuine contrition.
I inhale hope with every breath I take.
Abigail Adams could become my favorite historical sleuth.
Why is it honesty when a man speaks his mind and madness when a woman does?