Simon Schama
Simon Schama
Simon Michael Schama, CBEis an English historian specializing in art history, Dutch history, and French history. He is a University Professor of History and Art History at Columbia University, New York. He first came to popular public attention with his history of the French Revolution titled Citizens, published in 1989. In the United Kingdom, he is perhaps best known for writing and hosting the 15-part BBC television documentary series A History of Britain broadcast between 2000 and 2002...
NationalityBritish
ProfessionHistorian
Date of Birth13 February 1945
From 1789, perhaps even before that, it had been the willingness of politicians to exploit either the threat or the fact of violence that had given them the power to challenge constituted authority. Bloodshed was not the unfortunate by product of revolution, it was the source of energy.
In the end, history, especially British history with its succession of thrilling illuminations, should be, as all her most accomplished narrators have promised, not just instruction but pleasure.
To collude in the minimisation of British history on the grounds of its imagined irrelevance to our rebranded national future, or from a suspicion that it does no more than recycle patriotic pieties unsuited to a global marketplace, would be an act of appallingly self-inflicted collective memory loss.
Charles was constitutionally incapable of being a constitutional monarch.
Almost everywhere else in Europe, the more military the state, the stronger the king - except in Britain. Here it was parliament, not the monarchy, who signed the cheques. The longer the war went on, the stronger parliament became, as the purse on which it sat grew bigger and bigger.
Historians are left forever chasing shadows, painfully aware of their inability ever to reconstruct a dead world in its completeness however thorough or revealing their documentation. We are doomed to be forever hailing someone who has just gone around the corner and out of earshot.
The older I get, the more I want to do. It beats death, decay or golf in unfortunate trousers. Peace and quiet depress me.
We seem wired to grieve with greenery. Allowing the dead to dissolve into the earth, to become part of the cycle of the seasons, has, for millennia, held the promise of cheating mortality.
The default mode of modern writing about art is to despise any notion of singularity as so much overheated genius-fetishism.