Soren Kierkegaard
Soren Kierkegaard
Søren Aabye Kierkegaard; 5 May 1813 – 11 November 1855) was a Danish philosopher, theologian, poet, social critic and religious author who is widely considered to be the first existentialist philosopher. He wrote critical texts on organized religion, Christendom, morality, ethics, psychology, and the philosophy of religion, displaying a fondness for metaphor, irony and parables. Much of his philosophical work deals with the issues of how one lives as a "single individual", giving priority to concrete human reality over abstract thinking...
NationalityDanish
ProfessionPhilosopher
Date of Birth5 May 1813
CityCopenhagen, Denmark
CountryDenmark
Soren Kierkegaard quotes about
Only when it is a duty to love, only then is love eternally and happily secured against despair.
Leap of faith – yes, but only after reflection
There are two kinds of geniuses. The characteristic of the one is roaring, but the lightning is meagre and rarely strikes; the other kind is characterized by reflection by which it constrains itself or restrains the roaring. But the lightning is all the more intense; with the speed and sureness of lightning it hits the selected particular points - and is fatal.
Sin is: before God, or with the conception of God, in despair not to will to be oneself, or in despair to will to be oneself. Thus sin is intensified weakness or intensified defiance: sin is the intensification of despair. The emphasis is on before God, or with a conception of God; it is the conception of God that makes sin dialectically, ethically, and religiously what lawyers call 'aggravated' despair.
My melancholy is the most faithful sweetheart I have had.
It is a frightful satire and an epigram on the modern age that the only use it knows for solitude is to make it a punishment, a jail sentence.
Talent warms-up the given (as they say in cookery) and makes it apparent; genius brings something new. But our time lets talent pass for genius. They want to abolish the genius, deify the genius, and let talent forge ahead.
To despair over one's sins indicates that sin has become or wants to be internally consistent. It wants nothing to do with the good, does not want to be so weak as to listen occasionally to other talk. No, it insists on listening only to itself, on having dealings only with itself; it closes itself up within itself, indeed, locks itself inside one more inclosure, and protects itself against every attack or pursuit by the good by despairing over sin.
Sin is in itself separation from the good, but despair over sin is separation a second time.
In order to help another effectively, I must understand what he understands. If I do not know that, my greater understanding will be of no help to him... instruction begins when you put yourself in his place so that you may understand what he understands and in the way he understands it.
The task must be made difficult, for only the difficult inspires the noble-hearted.
Destroy your primitivity, and you will most probably get along well in the world, maybe achieve great success--but Eternity will reject you. Follow up your primitivity, and you will be shipwrecked in temporality, but accepted by Eternity.
The ever increasing intensity of despair depends upon the degree of consciousness or is proportionate to this increase: the greater the degree of consciousness, the more intensive the despair. This is everywhere apparent, most clearly in despair at its maximum and minimum. The devil's despair is the most intensive despair, for the devil is sheer spirit and hence unqualified consciousness and transparency; there is no obscurity in the devil that could serve as a mitigating excuse. Therefore, his despair is the most absolute defiance. . . .
Death is not earnest in the same way the eternal is. To the earnestness of death belongs precisely that remarkable capacity for awakening, that resonance of a profound mockery which, detached from the thought of the eternal, is an empty and often brash jest, but together with the thought of the eternal is just what it should be, utterly different from the insipid solemness which least of all captures and holds a thought with tension like that of death.