Stacy Schiff
Stacy Schiff
Stacy Madeleine Schiff is a Pulitzer Prize-winning American nonfiction author and guest columnist for The New York Times...
NationalityAmerican
ProfessionAuthor
Date of Birth26 October 1961
CountryUnited States of America
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How does a woman in authority convey that authority? Is it possible for a woman to rule without sounding shrill? Is it possible for a woman to manage without manipulating? All of these things seem to me to be very much at the fore today, and were no less the case 2,000 years ago.
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Life-writing calls for any number of dubious gifts: A touch of O.C.D., a lack of imagination, a large desk, neutrality of Swiss proportions, tactlessness, a high tolerance for archival dust. Most of all it calls for an act of displacement. 'To find your subject, you must in some sense lose yourself along the way,' is Richard Holmes's version.
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I once interviewed David Herbert Donald, the Lincoln historian, and we talked about how one deals with the secondary sources and the previous biographies. He said something which kept coming back to me as I worked on Cleopatra, which was: 'There's no further new material; there are only new questions.'
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The interesting thing about Cleopatra is that she is such a shape-shifter. I mean through history we've all molded her to our times and our places. So there's room for a movie for her, but I don't think it will hew to the book.
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Insofar as there is an anxiety of influence for a biographer, it may be that each new book is undertaken in reaction to the previous book.
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I don't think there is ever objective biography. Our vision of our subject is always shaped by who we are. So I do, of course, think the biographer's view is always something to keep in mind.
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You have to scuba dive in the Alexandrian harbor if you want to see what remains of the lighthouse of Cleopatra's day, and the water in the Alexandrian harbor is not really something you want to come into contact with.
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Recently a study proved that working from a larger, less cluttered computer screen increases concentration. I could have told them that. And yes, I write first drafts with a mechanical pencil and a yellow legal pad. There's good reason for this primitive behavior: I am a crackerjack typist. My hand moves far more quickly than my brain.
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I wouldn't dare to speculate as to Cleopatra's falling in love. Her relationships are too convenient for that.
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Certainly, I am writing as a 21st-century woman, so I am much more inclined to view her as a three-dimensional woman. I think we keep coming up with this stubborn problem of a woman being judged by her appearance rather than her accomplishments. We are much more inclined to ask: was Cleopatra beautiful?
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A woman can never be too rich or too thin, but until very, very recently, she could be too powerful, for which - if she wasn't smart enough to camouflage herself - she generally paid the price.
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Of course, women have long exercised influence behind the scenes. A few thousand years ago this drove Aristotle to distraction: 'What difference does it make whether women rule or the rulers are ruled by women? The result is the same.'
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Cleopatra was on a political mission to save her country and her power, but what we remember about her are these two famed seductions, which are a matter of politics, not a matter of love.
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The desk thing is a problem for me. The ideal one would be vast and perfectly clear. Yet the bane of the biographical existence is paper; if you're 'an artist under oath' you're writing from a mountain of documentation.