Stephanie Mills
![Stephanie Mills](/assets/img/authors/stephanie-mills.jpg)
Stephanie Mills
Stephanie Mills is an American R&B, soul and gospel singer, songwriter and Broadway star. She rose to stardom as "Dorothy" in the original Broadway run of the musical The Wiz from 1975 to 1977. The song "Home" from the show later became a No.1 U.S. R&B hit for Mills and her signature song. In the 1980s she scored five No.1 R&B hits, including "Home", "I Have Learned to Respect the Power of Love", "I Feel Good All Over", "A Rush...
NationalityAmerican
ProfessionR&B Singer
Date of Birth22 March 1957
CityQueens, NY
CountryUnited States of America
There is onslaught is the accelerating momentum of technologies and instrumental mentalities that are exterminating spontaneity, undermining love and common decency. It's a thief of time and includes all the palpable and subtle violations of body, mind, and spirit done in the name of science, government, enterprise, progress, and profit.
Individuals can refuse to use a given technology, but unless they live in total isolation will have to engage with people whose psyches have been shaped by a multitude of technologies. And there is no escaping the pervasive ecological effects.
Given all that history has shown us of the consequences of technology - from the atlatl spear to the A-bomb - why have so few groups of human beings managed to resist the incursions of technology? Or be choosy about the extent to which they'll employ a technological innovation?
Respecting beings, places, and life ways would be a basis for a worthy systemic analysis. And such an analysis would be inherently conservative, assuming that technology - from the fire stick to the silicon chip - is apt to do more harm to the Whole than good.
We try to get into a service blitz. We have a very giving and caring congregation and lots of times that we reach out to the community.
Being a mom has made me a better person. It's made me more compassionate. It's just awesome. I think I was put here to be a mom.
I have mad love for the way we were taught and trained back in the day. I mean, those of us - like Chaka Khan, Patti LaBelle, Gladys Knight - we didn't give into this new wave of celebrity.
I don't think that everything on Broadway relates to us, and I think that's why we as black people don't always go to Broadway shows, but shows like 'What's on the Hearts of Men' has a lot of issues that can relate to black families, and that's why I enjoy it.