Steve Erickson
Steve Erickson
Stephen Michael Erickson, pen name Steve Erickson, is an American novelist, essayist and critic. He is the recipient of the American Academy of Arts and Letters Award in Literature, a fellowship from the John Simon Guggenheim Foundation and the Lannan Lifetime Achievement Award, and is considered an important representative of the Avantpop movement...
NationalityAmerican
ProfessionNovelist
Date of Birth20 April 1950
CountryUnited States of America
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Moviemaking is a time machine: narrative spliced into fragments and reassembled into a constant present, the end of a story shot before the beginning, which is shot after the middle.
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Part of the process of reading is constantly hitting the pause button, and now and then the rewind button, to ponder a word that's been chosen by the author as exquisitely as the filmmaker chooses an image or a sound editor chooses a sonic clue - the tolling of a bell in the distance to evoke memory, for instance.
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'Homeland' is necessarily open-ended since the idea behind television is to spend as much time as possible resolving as little as possible, with a story's usual need for resolution replaced by an unrelenting urgency that always defers answers and constantly postpones closure.
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I think we can fairly conclude that writer-director Joss Whedon didn't make 'The Avengers' for me.
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L.A. streets aren't just paved real estate but a cosmology, a manifestation of the city's sensibility.
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Ironically, if only because over the years I've known so many - from college deans to studio executives to European expats - who come to Los Angeles aspiring to nothing other than living in Topanga, I wound up there by accident.
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I rode the buses in L.A. until I was in my early 30s, and there's something about driving or riding through L.A. after sundown, when the Utopian city goes into hiding and another city comes out, more Doors and less Byrds.
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Pablo Picasso, Frank Sinatra, Ernest Hemingway, Mel Gibson, Lou Reed, Norman Mailer, Vanessa Redgrave, Van Morrison - each is distinguished by controversies unrelated to his or her art; by many accounts, some of them are not nice people at all.
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Overall I think I'm playing a lot better. I've worked a lot more this year and I'm more confident. I'm mentally stronger.
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Representing not just the resurrection of a career, 1953 marked 37-year-old Frank Sinatra's creative emergence as the best singer of his century.
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Julianne Moore and Michael Keaton began in 1980s soap operas and 1970s sitcoms, respectively, such ancient history by show business standards that you need carbon dating to measure their careers.
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Italian writer-director Paolo Sorrentino makes zombie movies, which probably comes as a surprise to him. At the center of his best and most recent pictures are the walking dead, characters in a race with themselves across mortality's finish line, their spirits arriving before the rest of them.
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Meryl Streep and Julia Roberts act themselves senseless in 'August: Osage County,' and by the time they're finished, they've acted their movie senseless, too.
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When television captured the popular imagination of the 1950s, a rash of movies satirized Hollywood while also mythologizing it.