Steve Erickson
Steve Erickson
Stephen Michael Erickson, pen name Steve Erickson, is an American novelist, essayist and critic. He is the recipient of the American Academy of Arts and Letters Award in Literature, a fellowship from the John Simon Guggenheim Foundation and the Lannan Lifetime Achievement Award, and is considered an important representative of the Avantpop movement...
NationalityAmerican
ProfessionNovelist
Date of Birth20 April 1950
CountryUnited States of America
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'Homeland' was a sensation out of the gate in 2011, gathering acclaim and sweeping up Emmys, and the reason such shows are so overrated is because, unlike with other forms of popular art, success in TV is measured almost purely by how obsessive we become.
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Some distant day, anthropologists will consider as a landmark in humankind's evolution - comparable to the capacity for destroying ourselves by nuclear obliteration - the adolescent gene's newly emergent power to dictate nightly TV viewing.
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Inside every TV star is a movie star screaming to get out, and Donna Frenzel, with whom I'm guessing you're not instantly familiar, made George Clooney a movie star once and for all in the first ten minutes of his fifth feature, 1998's 'Out of Sight.'
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Notwithstanding the likes of 'All the President's Men' in the 1970s or HBO's recent 'The Newsroom,' film and TV have always loved to hate the press.
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In the culture at large, the war over science fiction's creative validity has been long since won, but guardians at the gates of literature, movies, and TV linger unconvinced, even as other genres fitfully transcend critical perceptions of insubstantiality.
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The ritual of families watching TV together passed into antiquity around the time I was my son's age; that was when households tended to have a single television and when the choices of what to watch were manageable.
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All of Wes Anderson's films are confections, memoirs created in cinematic snow globes, with the subtext that memory is the most extraordinary confection of all.
Like all paradises, Topanga is pitched at the tipping point of promise and peril.
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In 1957's 'There's No You,' Sinatra is suspended at the intersection of a loss he can't face and a memory he can't relinquish.
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Nothing is more linear than a street; nothing has a more fixed beginning, middle, and end.
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Taking place in some Nordic-looking hinterland where all the seasons are out of whack, 'Game of Thrones' is the most aggressive example since 'Battlestar Galactica' of a genre that's perceived as adolescent aspiring to be fully adult.
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Created by writer Beau Willimon, who's worked on several political campaigns, 'House of Cards' cannily exploits the current widespread cynicism for our politics, catering to a public scorn that's warranted and also glib in the sort of cheap pox-on-both-houses way that means not having to pay attention.
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In journalism, as in politics, other people's lives are a currency to be bartered on behalf of notoriety and influence.
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In their matching candy-stripe shirts, the Beach Boys were America's biggest band of the early '60s, transmitting utopian bulletins of summer without end to a cold and overcast nation.