Steven Soderbergh
Steven Soderbergh
Steven Andrew Soderberghis an American film producer, director, screenwriter, cinematographer and editor. His indie drama Sex, Lies, and Videotapewon the Palme d'Or at the Cannes Film Festival, and became a worldwide commercial success, making the then-26-year-old Soderbergh the youngest director to win the festival's top award. Film critic Roger Ebert dubbed Soderbergh the "poster boy of the Sundance generation"...
NationalityAmerican
ProfessionDirector
Date of Birth14 January 1963
CountryUnited States of America
My experience over the years with working with people who are not actors or not trained actors is that you have to get to know them well enough to see what they have that's translatable onto the screen. So you're constantly calibrating to play to their strengths. And the key is to never ask them to do things that are beyond their abilities or are really far away from who they are at their core.
The key is, how do you feel with the one asshole? They cannot be talked to. That's why they are assholes.
I think the feeling that we're going to work together again usually starts to come up before the first project's even done. The Black Keys and I have already talked about starting on something new.
I've begun to believe more and more that movies are all about transitions, that the key to making good movies is to pay attention to the transition between scenes. And not just how you get from one scene to the next, but where you leave a scene and where you come into a new scene. Those are some of the most important decisions that you make. It can be the difference between a movie that works and a movie that doesn't.
The key is, if youre not monkeying around with the script, then everything usually goes pretty well.
It added realism. Every once in a while, it's nice to see somebody on screen who you felt was from that place and spoke like somebody from that place.
We had a big night over there, where I destroyed Misty Wilkins in a game of straight pool. She was talking trash and we went over there and I beat her senseless.
I don't think we should be trying to control how people experience art. They can see it on a screen or on a T-shirt. If you've got something that's interesting, it just really doesn't matter how they're seeing it.
We feel in many cases we're going to get a better response to some of our movies in Europe, or outside of the United States, than in the United States.
I'm very comfortable with failure. I'm very comfortable being the guy who disappoints people.
When you're sent something and read it, either you can see it while you read it, or you can't.
Reality shows are all the rage on TV at the moment, but that's not reality, it's just another aesthetic form of fiction.
The key is, if you're not monkeying around with the script, then everything usually goes pretty well.
At the most basic level, it's a lot of free publicity.