Steven Soderbergh
Steven Soderbergh
Steven Andrew Soderberghis an American film producer, director, screenwriter, cinematographer and editor. His indie drama Sex, Lies, and Videotapewon the Palme d'Or at the Cannes Film Festival, and became a worldwide commercial success, making the then-26-year-old Soderbergh the youngest director to win the festival's top award. Film critic Roger Ebert dubbed Soderbergh the "poster boy of the Sundance generation"...
NationalityAmerican
ProfessionDirector
Date of Birth14 January 1963
CountryUnited States of America
Whenever you experiment with something, it's very easy to take the emotion out of it. And going back and forth between wanting to be respected artistically and wanting to move people is its own challenge.
Surprisingly, I don't throw away that much. I don't move forward with a lot of things unless they're going somewhere. You also have to remember that when you're working with other artists, you have to be really careful about how you deal with that stuff.
I don't have any kind of ideology that precludes me from moving in one direction or another. I just want creative autonomy and I want at least an opportunity that it's going to be seen.
I come from a generation that was surrounded by popular music, but I don't know if anybody's ever going to move the ball forward as far and as fast as the Beatles did.
Traffic is about drugs. As detailed a portrait as I can muster about what is happening in the drug world, from top to bottom, from policy to how things move on the street.
It added realism. Every once in a while, it's nice to see somebody on screen who you felt was from that place and spoke like somebody from that place.
We had a big night over there, where I destroyed Misty Wilkins in a game of straight pool. She was talking trash and we went over there and I beat her senseless.
I don't think we should be trying to control how people experience art. They can see it on a screen or on a T-shirt. If you've got something that's interesting, it just really doesn't matter how they're seeing it.
We feel in many cases we're going to get a better response to some of our movies in Europe, or outside of the United States, than in the United States.
I'm very comfortable with failure. I'm very comfortable being the guy who disappoints people.
When you're sent something and read it, either you can see it while you read it, or you can't.
Reality shows are all the rage on TV at the moment, but that's not reality, it's just another aesthetic form of fiction.
The key is, if you're not monkeying around with the script, then everything usually goes pretty well.
At the most basic level, it's a lot of free publicity.