Suzanne Collins
Suzanne Collins
Suzanne Marie Collinsis an American television writer and novelist, best known as the author of The New York Times best selling series The Underland Chronicles and The Hunger Games trilogy...
NationalityAmerican
ProfessionNovelist
Date of Birth11 August 1962
CountryUnited States of America
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In 'The Hunger Games,' in most people's idea, in terms of rebellion or a civil-war situation, that would meet the criteria for a necessary war. These people are oppressed, their children are being taken off and put in gladiator games. They're impoverished, they're starving, they're brutalized.
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If I took the 40 years of my dad talking to me about war and battles and taking me to battlefields and distilled it down into one question, it would probably be the idea of the necessary or unnecessary war.
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My mother tried really hard to protect us, but occasionally, after afternoon cartoons of whatever was on... the nightly news would come on, and I'd see footage from the war zone, and I would hear the word 'Vietnam,' and I would know my dad was over there, and it was a very frightening experience for me.
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I think it's very uncomfortable for people to talk to children about war, and so they don't because it's easier not to. But then you have young people at eighteen who are enlisting in the army, and they really don't have the slightest idea what they're getting into.
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One of the reasons it's important for me to write about war is I really think that the concept of war, the specifics of war, the nature of war, the ethical ambiguities of war, are introduced too late to children. I think they can hear them, understand them, know about them, at a much younger age without being scared to death by the stories.
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'Lord of the Flies' is one of my favorite books. That was a big influence on me as a teenager; I still read it every couple of years.
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Katniss Everdeen owes her last name to Bathsheba Everdene, the lead character in 'Far From the Madding Crowd.' The two are very different, but both struggle with knowing their hearts.
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I started as a playwright. Any sort of scriptwriting you do helps you hone your story. You have the same demands of creating a plot, developing relatable characters and keeping your audience invested in your story. My books are basically structured like three-act plays.
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It's embarrassing to admit how many times I've reread the following: 'A Tree Grows in Brooklyn,' '1984,' 'Lord of the Flies,' 'The Heart Is a Lonely Hunter,' 'Germinal,' 'We Have Always Lived in the Castle,' and 'A Moveable Feast.'
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When I got out of undergrad, I had a degree in theater and telecommunications. My first job, I was a news reporter for the local stories for NPR. Then I was a country-western DJ. I did data entry for a yearbook company. In my mid-20s I went back to grad school at NYU, and I specialized in playwriting.
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If I have to pick one story that most influenced 'The Hunger Games,' it would be the Greek myth of Theseus, which I read when I was about 8 years old. In punishment for past deeds, Athens periodically had to send seven youths and seven maidens to a labyrinth. In the maze was this Minotaur, and it would eat them.
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I think people respond to dystopian stories because they're ways of acting out anxieties that we have and fears that we have about the future. So much media's coming at you over the Internet, your brain gets overloaded. You don't know what to do with it. And one thing you can do with it is read a story.
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The film opens up the world beyond Katniss' point of view, allowing the audience access to the happenings of places like the Hunger Games control room and President Snow's rose garden, thereby adding a new dimension to the story.
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What must it be like, I wonder, to live in a world where food appears at the press of a button? How would I spend the hours I now commit to combing the woods for sustenance if it were so easy to come by? What do they do all day, these people in the Capitol, besides decorating their bodies and waiting around for a new shipment of tributes to rill in and die for their entertainment?