Terence Winter
Terence Winter
Terence Patrick Winter is an American writer and producer of television and film. He is the creator, writer, and executive producer of the HBO television series Boardwalk Empire. Before creating Boardwalk Empire, Winter was a writer and executive producer for the HBO television series The Sopranos, from the show's second to sixth and final season. In 2013, he wrote the screenplay to Martin Scorsese's The Wolf of Wall Street for which he was nominated for an Academy Award for Best...
NationalityAmerican
ProfessionScreenwriter
Date of Birth2 October 1960
CountryUnited States of America
One of the nicest things I ever read about our show was that a critic felt 'Boardwalk Empire' could be the beginning of the blur between television and cinema, because the production values are so high and the storytelling is so compelling.
Eventually we all run out of road.
Any distraction tends to get in the way of being an effective gangster.
I was in the equity-trading department at Merrill Lynch. I was there in 1987 when the market crashed.
I have a rule: I will not alter the basic history of a real-life character to suit our fictional needs in a big way.
I'm always amazed by writers who say, "Oh you know I had a half hour so I sat down and wrote a little bit." I just need a real big chunk of time to sit down and focus. That's my process.
I started with the book Boardwalk Empire and then immersed myself in the history of Atlantic City, World War I, the temperance movement, Prohibition, pop culture. I even read the news and magazines of the period just to soak in it. That was before I even started thinking of the story.
Now, the big box office successes are superhero stories. It seems there's a lowest common denominator mentality, in terms of movies that are almost purely visual, that anyone can understand anywhere in the world. Good robot, bad robot: they fight. You don't need to know anything apart from that. And then we can make toys that look like that robot - and sell those toys or video games.
I guess ... I'm going to get that ice cream sundae they give you on the airplane. I usually pass on that, but I think I'm actually going to get extra whipped cream and maybe even the chocolate syrup. I'm really winging it here. I'm going to be flying. It's really a little too early to start drinking.
It used to be that you had to do a certain number of episodes to hit syndication in order to try to keep a show on, because it's important to the network because it sells good commercial time. That's really not how HBO does things.
As a writer, I've tried to avoid strong opinions about morality. You just want to present things as they are and let the viewer come to their own conclusion.
Any abhorrent behavior is more interesting to me. I'm always amazed when somebody asks me, 'Why don't you write something about nice people?' Because nice people are boring, that's why.
People talk about the plots and what happened, and they see your tricks a mile away.
Critics who do the weekly recap, I find that kind of absurd. That's like reviewing chapters in a novel.