Todd Solondz
Todd Solondz
Todd Solondzis an American independent film screenwriter and director known for his style of dark, thought-provoking, socially conscious satire. Solondz has been critically acclaimed for his examination of the "dark underbelly of middle class American suburbia," a reflection of his own background in New Jersey. His work includes Welcome to the Dollhouse, Happiness, Storytelling, Palindromes, Life During Wartime, and Dark Horse...
NationalityAmerican
ProfessionDirector
Date of Birth15 October 1959
CountryUnited States of America
This driving need is what is so defining of her and is, in a sense, what makes her a palindrome, ... Loosely, metaphorically speaking, a palindrome describes that part of ourselves that is immutable and that resists, so that for all the metamorphoses, physical and otherwise, that we see over the course of the film, the character remains a constant.
With Storytelling, at least, it's explicit: this is what the censors say American citizens, no matter what age, are not permitted to see, even though it can be seen by other people all over the world. I suppose you could call it a political statement.
We are so defined by our prejudices and our preconceptions, ... that it's sometimes shocking to realise to what extent we are so conditioned.
Well, so far, at least, my own ideas always take priority over those of other writers. As long as the well doesn't run dry, I imagine this will be the case.
When I was making Storytelling, I couldn't watch while the violent sex scene between the student and the professor was being shot. It was too intense.
Many people think my movies come out of the deepest feelings of bitterness and cynicism and hostility and not out of any positive feelings at all.
People came up to me afterwards and, it didn't matter whether it was a beautiful model or a heavy-set construction worker, they'd all think the same thing: they'd say, 'That was me, I was Dawn Wiener',
To be honest, I am often unsettled by the responses some people have had to my movies, and that includes many people who like them.
I'll just say, you hope you have an imagination at work you hope it has the support of your life experience and what you've observed and so forth.
target anyone in particular. I only hope that some people will find the work entertaining and come to my films with an open mind.
I can't please everybody and I don't try to. If I can please myself that's enough. For the rest, I just hope for the best.
What makes me angry is the idea that people would be going to a movie because of what I said about it. It makes me feel, I don't know, arrogant, self-important, self-aggrandizing, whatever. Like I'm being used.
I've always said that I myself am not the best audience for my own work, because I'm just not that receptive to comedy.
I don't make movies with the idea that people are going to walk out of them feeling comfortable or better about themselves or more secure in their own biases or opinions.