Tom Wilkinson
Tom Wilkinson
Thomas Geoffrey "Tom" Wilkinson OBE is an English actor. He has twice been nominated for an Academy Award, for his roles in In the Bedroom and Michael Clayton. In 2009, he won Golden Globe and Primetime Emmy Awards for Best Supporting Actor in a Miniseries or Film for playing Benjamin Franklin in John Adams...
NationalityBritish
ProfessionMovie Actor
Date of Birth12 December 1948
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I would recommend it to everybody, every now and again you just put a dress on, see what it feels like, because it's, its interesting. A whole complex series of thoughts and feelings assail you as you look at yourself.
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When I very first started acting, at university, I thought I could do anything. Because you are so ignorant, you don't know what a good production should be. You don't know what the rules are. And then, when you start doing it professionally, you learn the rules and become more intimidated.
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You don't have any kind of sense of being foolish when you are acting. When you're younger you don't want to look a fool, so you don't do things that might make you vulnerable.
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You can't do things for money. You just can't act them. There's gotta be something about the script that you really want to do. I wouldn't do a job if I didn't think I could do the best work I possibly could.
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There's only one shot you have at a movie, and that's your best shot. If you can't give it that, don't go. They're paying you! You gotta do a job for them.
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When you're an actor you don't really know what you have to do until you see what you look like.
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One of the characteristics of plays that are made into films is that they can be very talky.
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Once Miramax gets involved, if they like your movie, there's a big machine that gets involved.
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Most stuff you can do standing on your head.
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It's no good being great in something that goes straight to video.
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All good actors are easy to work with. It's the ones that aren't very good who tend to be very difficult.
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Acting for me is not that quid pro quo.
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I once did a role which I couldn't rehearse in my street clothes, I had to have the character's costume on before I could rehearse it. I just couldn't think as the character unless I looked like him, or I knew that I looked like him.
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If the script is telling the story well, that is your inspiration, and you do not need to go somewhere else.