W. S. Merwin
W. S. Merwin
William Stanley Merwinis an American poet, credited with over fifty books of poetry, translation and prose. During the 1960s anti-war movement, Merwin's unique craft was thematically characterized by indirect, unpunctuated narration. In the 1980s and 1990s, Merwin's writing influence derived from his interest in Buddhist philosophy and deep ecology. Residing in Hawaii, he writes prolifically and is dedicated to the restoration of the islands' rainforests...
NationalityAmerican
ProfessionPoet
Date of Birth30 September 1927
CountryUnited States of America
Obviously a garden is not the wilderness but an assembly of shapes, most of them living, that owes some share of its composition, it’s appearance, to human design and effort, human conventions and convenience, and the human pursuit of that elusive, indefinable harmony that we call beauty. It has a life of its own, an intricate, willful, secret life, as any gardener knows. It is only the humans in it who think of it as a garden. But a garden is a relationship, which is one of the countless reasons why it is never finished.
I say to my breath once again, little breath come from in front of me, go away behind me, row me quietly now, as far as you can, for I am an abyss that I am trying to cross.
Modern poetry, for me, began not in English at all but in Spanish, in the poems of Lorca.
Certain words now in our knowledge we will not use again, and we will never forget them. We need them. Like the back of the picture.
I'm very pessimistic about the future of the human species. We have been so indifferent to life on the whole that it will take its toll. It's not just the polar bears that are having a hard time; what we're doing is gradually impoverishing and poisoning the whole of the rest of life.
Laughter was the shape the darkness took around the first appearance of the light.
There is part of a structure in which every species is related to every other species. And they're built up on species, like a pyramid. The simpler cell organisms, and then the more complicated ones, all the way up to the mammals and birds and so forth. We call it 'developing upward'... The whole thing depends on every part of it. And we're taking out the stones from the pyramid.
You grieve Not that heaven does not exist but That it exists without us
we travel far and fast and as we pass through we forget where we have been
I wouldn't be happy about being considered a love poet or an environmental - I don't want any of those tags.
We're losing a species every few seconds. We cannot put them back. If we change our mind and say, 'Oops, we made a mistake' - it's too late. This is the world we live with.
To say what or where we came from has nothing to do with what or where we came from. We do not come from there any more, but only from each word that proceeds out of the mouth of the unnamed. And yet sometimes it is our only way of pointing to who we are.
Poetry is like making a joke. If you get one word wrong at the end of a joke, you've lost the whole thing.