William H. Gass
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William H. Gass
William Howard Gassis an American novelist, short-story writer, essayist, critic, and former philosophy professor. He has written three novels, three collections of short stories, a collection of novellas, and seven volumes of essays, three of which have won National Book Critics Circle Award prizes and one of which, A Temple of Texts, won the Truman Capote Award for Literary Criticism. His 1995 novel The Tunnel received the American Book Award. His 2013 novel Middle C won the 2015 William Dean...
NationalityAmerican
ProfessionNovelist
Date of Birth30 July 1924
CountryUnited States of America
How do we know, then, when a code's been cracked?when we are right?when do we know if we have even received a message? Why, naturally, when, upon one set of substitutions, sense emerges like the outline under a rubbing; when a single tentative construal leads to several; when all the sullen letters of the code cry TEAM! after YEA! has been, by several hands, uncovered.
The alcoholic trance is not just a haze, as though the eyes were also unshaven. It is not a mere buzzing in the ears, a dizzinessor disturbance of balance. One arrives in the garden again, at nursery time, when the gentle animals are fed and in all the world there are only toys.
Of course there is enough to stir our wonder anywhere; there's enough to love, anywhere, if one is strong enough, if one is diligent enough, if one is perceptive, patient, kind enough -- whatever it takes.
The death of God represents not only the realization that gods have never existed, but the contention that such a belief is no longer even irrationally possible: that neither reason nor the taste and temper of the times condones it. The belief lingers on, of course, but it does so like astrology or a faith in a flat earth.
I don't know myself, what to do, where to go... I lie in the crack of a book for my comfort... it's what the world offers... please leave me alone to dream as I fancy.
Literature is composed of quarter truths, and the quarters are often spent on penny candy.
If death itself were to die, would it have a ghost, and would the ghost of death visit the dead in the guise of someone alive, if only to fright them from any temptation to return?
The things that stayed were things that didn't matter except they stayed, night and day, all seasons the same, and were peaceful to a fault and boded no ill but thought well enough of themselves to repeat their presences.
I get very tense working, so I often have to get up and wander around the house. It is very bad on my stomach. I have to be mad to be working well anyway, and then I am mad about the way things are going on the page in addition. My ulcer flourishes and I have to chew lots of pills. When my work is going well, I am usually sort of sick.
I cannot walk under the wires. The sparrows scatter like handfuls of gravel. Really, wires are voices in thin strips. They are words wound in cables. Bars of connection.
I should like to suggest that at least on the face of it a stroke by stroke story of a copulation is exactly as absurd as a chew by chew account of the consumption of a chicken's wing.
What else is soul but a listener?
We have scarcely gotten home ... when our children's sneezes greet us, skinned knees bleed after waiting all day to do so. There is the bellyache and the burned-out basement bulb, the stalled car and the incontinent cat. The windows frost, the toilets sweat, the body of our spouse is one cold shoulder and the darkness of our bedroom is soon full of the fallen shadows of our failures.
So to the wretched writer I should like to say that there’s one body only whose request for your caresses is not vulgar, is not unchaste, untoward, or impolite: the body of your work itself; for you must remember that your attentions will not merely celebrate a beauty but create one; that yours is love that brings it own birth with it, just as Plato has declared, and that you should therefore give up the blue things of this world in favor of the words which say them