Wynton Marsalis
Wynton Marsalis
Wynton Learson Marsalisis a trumpeter, composer, teacher, music educator, and artistic director of Jazz at Lincoln Center in New York City, United States. Marsalis has promoted the appreciation of classical and jazz music often to young audiences. Marsalis has been awarded nine Grammys in both genres, and his Blood on the Fields was the first jazz composition to win the Pulitzer Prize for Music. Marsalis is the son of jazz musician Ellis Marsalis, Jr., grandson of Ellis Marsalis, Sr., and...
NationalityAmerican
ProfessionComposer
Date of Birth18 October 1961
CityNew Orleans, LA
CountryUnited States of America
Wynton Marsalis quotes about
And that's the soulful thing about playing: you offer something to somebody. You don't know if they'll like it, but you offer it.
Commercialism that has absolutely no relationship to quality whatsoever, only quantitative assessment of a thing.
What is deeper than respect and love? That’s what we felt: veneration.
The blues is always there. It's going to be hard out here, but it's all right. It's all right, and that's what the blues teaches you. You got to roll with the punches and find your equilibrium.
The musicians, Duke Ellington, his thing was not about separating himself from the rest of America. Louis Armstrong - go to the forefathers of our music - Jelly Roll Morton - they're not preaching a separatist agenda. They're not taking their music and saying, "This is for me."
Sustained intensity equals ecstacy.
The bandstand is a sacred place.
Swing is extreme coordination. It's a maintaining balance, equilibrium. It's about executing very difficult rhythms with a panache and a feeling in the context of very strict time. So, everything about the swing is about some guideline and some grid and the elegant way that you negotiate your way through that grid.
If you looked around, you'd be glad you couldn't see.
When I did the Abyssinian mass, I went through the whole history of the church music and the gospel music, even with the Anglo American hymns, the Afro American hymns, the spirituals and how it developed, up to Thomas Dorsey and the Dixie Hummingbirds, going through the history of the music, jazz musicians.
Let the critics criticize and let the doers do.
We're blues people. And blues never lets tragedy have the last word.
This music heals people because music is vibration, and the proper vibration heals.
My thing is, once you start to put a backbeat on your music or something that has a machine in it, you have popularity, but you lose the flexibility. And you lose a richness.