Zack Snyder
![Zack Snyder](/assets/img/authors/zack-snyder.jpg)
Zack Snyder
Zachary Edward "Zack" Snyderis an American filmmaker, best known for his action and science fiction films. Snyder made his feature film debut with the 2004 remake of the horror film Dawn of the Dead, which earned a good box office return and positive reviews from critics. He has gone on to be known for his comic book and superhero films, including 300and Watchmen, as well as the Superman film that started the DC Extended Universe, Man of Steel, and its...
NationalityAmerican
ProfessionDirector
Date of Birth1 March 1966
CityGreen Bay, WI
CountryUnited States of America
The thing about 'Dark Knight' is its objective is to set Batman into your world, so that you can imagine the moral dilemmas he faces are exactly parallel to moral dilemmas that you would face in this world, today, if you were out there fighting crime dressed like a bat.
My mom always encouraged me, it was never weird. She'd look at 'Heavy Metal' and go 'Woo-hoo!'
You can't will something into being. If you follow that philosophy all the way, to will something into being, that's animal style. That's what man does. But if you're looking at the philosophy correctly, and I never did - I like to think I did sometimes - you have to do it without ego, without the I. You have to separate yourself.
I heard one time that the Superman glyph is the second or third most recognizable symbol on Earth after the Christian cross.
People always come up to me now and say, 'Watchmen' is the best superhero movie ever made.' I'm always saying 'That's super cool. That's nice of you to say.' But it happens now, more and more and more than it did when it first came out.
The problem is, when you're making an animated movie, the studio has an illusion in their minds - and it's really not true - that because it's a drawing, it can be changed at any time.
It's difficult to find a movie that feels true to itself. You feel the hand of Hollywood, the moviemaking by committee, on everything.
Music has that ability to be a magical thing, and I was like, maybe music is the vehicle that transports us to that other world.
I'm interested in animation. I actually feel like I've learned so much about the process how to make an animated movie.
I always say, I'm certain I changed 'Watchmen' less than the Coen brothers changed 'No Country for Old Men.' I'm certain of it. But you don't hear the Cormac McCarthy fans, like, up in arms about it. They should be. It's like an amazing Pulitzer Prize-winning book.
I want to - we're working toward Justice League, and I really want to create the - part of the thing I really want to create is the possibility of a world where they could exist together.
I used to be a huge fan of Heavy Metal magazine growing up, and I was exposed to Cobalt there and fell in love with the character and the world. I've tried to track it down and pursue it myself to make a movie out of it. Also I felt like the thing that's cool about Cobalt is it does have a culty kind of underground quality to it that I really like.
We've tried to make a Superman movie where he does stuff and you go, 'Yeah, if I was Superman, that's what I'd do.' Even though he's an alien, he's more relatable, more human.
Once you land on who you think the character is and what his conflicts are, you have to let that lead you. You have to throw all that other stuff away and not be worried about this epic responsibility, or it will just crush and paralyze you.