Quotes about character
character thinking way
I'm probably an actor that tends to, instead of putting things on, think about it more in terms of taking away what's not in the character, until I'm left with what is. If that makes sense. That's probably a particularly American way of working, but maybe not. The end of any movie is a readjustment. Molly Parker
character fighting artist
It was this feeling for a lot of my characters, who are dissidents or banned artists and writers, that they had had to fight living under so much surveillance, and then suddenly they come to America and they're like, I'm not being surveilled - I'm not even being noticed at all. Molly Antopol
character thinking israel
With the Israel stories, it was for me the most surprising way the title would fit in. I kept thinking about, for a lot of my Israeli characters, what it was like to inherit such a complicated and symbiotic relationship to America and to feel how tangled that is, and it's nothing that they chose to do themselves. Molly Antopol
character trying research
So it was doing all this research or going to the archives or doing all these interviews or traveling, and then trying as much as I can to delete all of that research in a later draft so that all the reader cares about is the characters. Molly Antopol
character desire machines
So if there was a way that I knew something about my character's desires or the things that they were resisting because I was saving it for some grand epiphany moment for my readers, I just feel like that's when you can feel the machine at work in a story. That's when you can feel the writer pulling the strings of the puppet. Molly Antopol
character interesting stories
So in the drafting process, whenever I would discover something about what my character wanted or didn't want, I immediately just wanted my character to admit to that so I could get to the next, more interesting level in the story. Molly Antopol
character two years
Because I just loved to spend two years of my life in the company of Andy Kaufman and other characters. Milos Forman
character thinking self
The worst evil is - and that's the product of censorship - is the self-censorship, because that twists spines, that destroys my character because I have to think something else and say something else, I have to always control myself. Milos Forman
character clothes people
People forget that actors are actors, who are looking to put on the clothes and the character, and then shed it just as easily. Milo Ventimiglia
character people attention
For me, what grabs my attention about the project is usually the character immediately and then the story, and then the people that are involved. Milo Ventimiglia
character play trying
You have to have sympathy for the villain. Even the most disgusting ones, you have to find something to connect with. I try to put as much of myself in every single character that I play. Milo Ventimiglia
character play actors
As an actor it's like, go with whatever excites you as an actor. What are you're going to invest yourself in as a character? What are you going to get into? Have a variety of characters to play. Milo Ventimiglia
character squares giving
The same thing will happen in China that happened in Chile. Political freedom will ultimately break out of its shackles. Tiananmen Square was only the first episode. It is headed for a series of Tiananmen Squares. It cannot continue to develop privately and at the same time maintain its authoritarian character politically. It is headed for a clash. Sooner or later, one or the other will give. Milton Friedman
character quality deterioration
In the 1960s, The National Education Association changed its character. The NEA changed into a union. And from that point on you can see deterioration in the quality of schooling in the United States. Milton Friedman
character adversity thinking
I think it was coach Lombardi that said, 'Adversity doesn't build character, it reveals it.' And that's so true. Mike Sherman
character play laughing
I'd love to do comedy. I'd probably have to get my laughing fits in check, because generally if I've done comedy, I'm usually the straight character that plays against the very obviously funny character, so that's really hard when the person is really hilarious. Nathalie Emmanuel
character plot conflict
Conflict is the place where character and plot intersect. Nancy Kress
character america islam
America has always welcomed anyone willing to assimilate to its national character. But radical Islam rejects assimilation and is bent on the conquest of our national character. Nancy Pearcey
character comedy emphasis
I put heavy emphasis on the characters. Keenen Ivory Wayans
character police succeed
The problem I have these days is that women are often cast in a role - as a police officer, for example - and then are invariably perceived by the other characters as succeeding in a man's job, as if they're doing it in spite of being women. Kathy Bates
character trying fit
I try to always stretch myself to fit the characters that have been presented. Kathy Bates
character passion fighting
If you understand your character and feel like it's a collaborative process, you're more inclined to dive into the deep end and fight for your character and feel passionate about your character, and that passion comes across on screen. Katheryn Winnick
character actresses instinct
I have a tendency as an actress in general to ground my characters. Even when doing outlandish characters, that's my instinct. Kate Burton
character personality traits
I would hesitate to say the characters [ in Bink & Gollie] are too related to either to us [me and Alison McGhee], but they certainly draw on our physical traits and personality traits and then exaggerate them to the nth degree. Kate DiCamillo
character hard-work tired
It is hard work to give life to new characters every single day. It is not as if I am God. I am just a tired, middle-aged woman trying to keep going. Karin Fossum
character writing examination
Even when I'm writing in character I'm normally still writing about things I know or things that have happened to me or using that character to start an exploration of my own consciousness. Really though, any character that you can examine is just an examination of a part of your own consciousness. Karen Walker
character stories etc
I sign a film according to my instincts and everything in each department must be appealing be it story, character etc. Katrina Kaif
character loss overcoming
I don't know who will overcome losses, some losses aren't meant to be overcome, but all losses make for good stories and good character development and all the jazz that makes a show compelling and watchable. Kirsten Vangsness
character way costumes
I always love costume, and I'm always heavily involved in how things should look. Or how they should feel really, because that's part of the way I suppose I get into character in some ways. It's a lot about costume. Kit Harington
character dark boys
It's not like I don't want to play the guy next door. But sometimes they're not the best written or the most complicated. But I am very, very particular about my bad boys. There are certain types of characters I will not play. I've said no so many times to so many parts that are just way too dark. You have to be careful. Kim Coates
character thinking play
No one thinks they're irritating. Nobody thinks they're boring. So if you're playing a character like that you have to play them as how they think of themselves. Nick Moran
character long people
I look for really great characters. I say great because as long as they're really good, there's something you can do. And really good storytelling. And when people ask me what the story is, I say it's really several stories really. They're intermeshed. Matt Dillon
character shadow flaws
I like characters with flaws, who have shadow. Matt Bomer