Quotes about character
character thinking years
Being on television, playing the same character for many years, for me, I think that would get a little tedious. Peter Dinklage
character space
The writer can only explore the inner space of his characters by perceptively navigating his own. Peter De Vries
characters good none soft
All the characters are good and bad. None of them are soft and fluffy. Andrea Roth
character common face kids seen thread town wearing
All these kids were around wearing face paint. The common thread is character and heart. It comes from the town. They've seen other kids do it and know what it takes. It's a very close-knit town and community.
characters hopeful inside kept secrets trust
All these characters have layers, secrets inside of them. It was difficult, but the thing that kept me hopeful was my trust in the producers. Daniel Kim
character confront deal force forcing great issues lives motivate people sorts source taking works
All sorts of different things motivate people to do things - and from a storytelling standpoint, if you can take a character that's grappling with issues in their lives and sort of force them to deal with them, that's a great source of drama. For me, that's why it works so well. It's because you're taking a character and forcing them to confront things in their life. And I think that's a great inspiration for a story.
character coaches deal expected great hear season shown shows team work
All season you hear the doubters, you know what's expected of you. You work through it. This team has shown a great deal of resilience. It shows the character of this team the coaches and the players.
character animal psychology
The restriction of studies of human intellect and character to studies of conscious states was not without influence on a scientific studies of animal psychology. Edward Thorndike
character lasts study
On the whole, the psychological work of the last quarter of the nineteenth century emphasized the study of consciousness to the neglect of the total life of intellect and character Edward Thorndike
character men animal
Psychology is the science of the intellects, characters and behavior of animals including man. Edward Thorndike
character actors honest
Trust your actors. That's why I work with the same actors time and time again. I encourage them to change the dialogue to achieve one thing: keep the characters honest. Edward Burns
character smell sage
I know sage, wormwood, and hyssop, but I can't smell character unless it stinks. Edward Dahlberg
character writing reality
In the two or three or four months that it takes me to write a play, I find that the reality of the play is a great deal more alive for me than what passes for reality. I'm infinitely more involved in the reality of the characters and their situation than I am in everyday life. The involvement is terribly intense. Edward Albee
character thinking play
There may be lots of questions that anybody - an actor or a director or anybody - can ask about a character in a play of mine that are not answered in the play, but if it's a question that I don't think is relevant, I don't bother about it. There's no reason to ask it. Edward Albee
character boys thinking
I don't think I've ever written about me. I'm not a character in any of my plays, except that boy, that silent boy that turns up in Three Tall Women. Edward Albee
character play want
I do not invent characters. There they are. That's who they are. That's their nature. They talk and they behave the way they want to behave. I don't have a character behaving one way, then a point comes in the play where the person has to either stay or leave. If I had it plotted that the person leaves, then the person leaves. If that's what the person wants to do. I let the person do what the person wants or has to do at the time of the event. Edward Albee
character reality everyday
I’m infinitely more involved in the reality of the characters and their situation than I am in everyday life. Edward Albee
character thinking action
A play is a parenthesis that contains all the material you think has to be contained for the action of the play. Where do you end that? Where the characters seem to come to a pause... where they seem to want to stop - rather like, I would think, the construction of a piece of music. Edward Albee
character people personality
Your source material is the people you know, not those you don't know, but every character is an extension of the author's own personality. Edward Albee
character kids mind
I know playwrights who like to kid themselves into saying that their characters are so well formed that they just take over. They determine the structure of the play. By which is meant, I suspect, only that the unconscious mind has done its work so thoroughly that the play just has to be filtered through the conscious mind. But there's work to be done - and discovery to be made. Edward Albee
character environment thesis
True, I don't begin with an idea for a play - a thesis, in other words, to construct the play around. But I know a good deal about the nature of the characters. I know a great deal about their environment. And I more or less know what is going to happen in the play. Edward Albee
character writing play
What happens in a play is determined to a certain extent by what I thought might be interesting to have happen before I invented the characters, before they started taking over what happened, because they are three-dimensional individuals, and I cannot tell them what to do. Once I give them their identity and their nature, they start writing the play. Edward Albee
character play two
Anything you put in a play -- any speech -- has got to do one of two things: either define character or push the action of the play along. Edward Albee
character unconscious
I suspect that the theme, the nature of the characters, and the method of getting from the beginning of the play to the end is already established in the unconscious. Edward Albee
character thinking people
One of the ways I think I gain fodder for characters is by watching people. Edie Falco
character voice different
That mental grind is the same, and this show has to be approached with the same mentality. Rest is paramount. Taking care of my voice and making sure I have the right foods in my body is paramount. Making sure I'm doing my technique work and staying in the script is all substantial. Continually pushing myself to find different nuances in the character on a nightly basis. This is definitely boot camp for me all over again, and Broadway in general is a boot camp for all actors. Eddie George
character insight
The characters get challenged. Through getting challenged, the character arrives at insights or discovers potentials that he or she didn't know they had. Eckhart Tolle
character
As the character changes in the movie, it rubs off on the viewer, so the viewer also goes through that change. Eckhart Tolle
character complete initially mask written
The mask of the character was already written into the show, but I actually lobbied for a denser and more complete mask than they initially considered. Rene Auberjonois
characters known lived man people talk
The man I lived with is a Christian, so I would talk to him about it. What would this person do in the Bible? What's the story around this person? Generally, when people talk about characters in the Bible, there's one thing they're known for, like Job. Lucinda Williams
character fill finding fit mandate miracles question shoes tough
The mandate of our show is to find what makes us laugh. We had tough shoes to fill for this role, and finding someone to fit the character of Jeffrey was a challenge, if not a miracle. But when miracles happen, you don't question them. Jason Alexander
characters
I want to continue to play characters that are not like me at all, and transform. Janina Gavankar
character play people
I've had some marvelous parts, but I'm also asked to play characters who are kind of superficial people. Holland Taylor