Quotes about character
character thinking play
I think when you play a role, you always have to be a defense attorney for that character. Matt Bomer
character opportunity play
I really saw Pat Brady, Kelsey Grammer's character's point of view that it's a business. It's show business. So, it was an incredible opportunity to work with really wonderful creatives and the script was fantastic. What was so interesting to me about the studio system was that a lot of the politics that were in play then are so really relevant to today.
character interesting bigger
Generally, the bigger the budget, the less interesting the characters become. Matt Damon
character mean fighting
I usually play characters that are a lot different than me. I mean, I'm never in a fight in a movie and if I'm in them, I'm usually losing.
character people brain
The more I get to do this character, the more I realize that she's not just annoying. It's that her strength is not interacting with people socially. She just doesn't have time because she has so much going on in her brain. Mary Lynn Rajskub
character thinking interesting
Well, it's kind of like that classic sort of trajectory in this kind of movie where there's conflict and they're estranged and they kind of grow to love each other but they don't show it. Then at the end - it's kind of like that. But I think the characters are more interesting than that. Mary-Louise Parker
character thinking behaviour
I don't really ever think about whether or not I like the characters I'm playing. I'm more into the minutiae of their behaviour or what they're doing in a certain scene.
character views life-is
The strongest argument for the un-materialistic character of American life is that we tolerate conditions that are, from a materialistic point of view, intolerable. Mary McCarthy
character three stories
I once started a detective story to make money—but I couldn't get the murder to take place! At the end of three chapters I was still describing the characters and the milieu, so I thought, this is not going to work. No corpse!
character giving personality
Others are to us like the characters in fiction, eternal and incorrigible; the surprises they give us turn out in the end to have been predictable and unexpected variations on the theme of being themselves.
character eye air
The American character looks always as if it had just had a rather bad haircut, which gives it, in our eyes at any rate, a greater humanity than the European, which even among its beggars has all too much a professional air.
character thinking poor
We are poor in character when we think getting by is a substitute for doing our best. Marvin J. Ashton
character gossip rumor
How damaging is a habit that permits faultfinding, character assassination, and the sharing of malicious rumors! Gossip and caustic comments often create chains of contention.
character firsts assuming
One must keep one's character. Earn a character first if you can, and if you can't, then assume one. Mark Twain
character church use
I do not use profanity in my novels. My characters all go to church. Nicholas Sparks
character men wonder
Is it possible, I wonder, for a man to truly change? Or do character and habit form the immovable boundaries of our lives?
character literature rich
None of my characters are rich or famous, and the situations they find themselves in could happen to anyone.
character thinking novel
I think, above all, the characters in my novels feel universal to the readers.
character sadness passion
I want characters to have voices that feel authentic, unique, honest, fresh and original - all at once. Part of that authenticity is evoking genuine emotion across life - the sadness, passion, love, sense of loss, missed opportunities, and confusion even. All of this helps us realize that our choices do impact the lives that we eventually lead.
character imagination want
That'’s a way to increase the realism to the reader, if you want to get technical - you leave it [character] vague and you let the reader fill in the blanks with their imagination.
character thinking creating
I've done a number of films. I've been around this. I think the biggest challenge is just getting the script right, the way that you want the script to be. It's really about capturing the complexity of emotions and creating the kind of characters that people will want to watch every week.
character unique voice
I've made the decision to adhere to three general truths when it comes to my novels: There will be a love-story element to the story, the novel will be set in eastern North Carolina, and the characters will be likeable. Then, I make each novel unique through differences in voice, perspective, age and personalities of the characters, and of course, plot.
character people here-and-there
Most characters are composed of snippets here and there of people I've known, and all rolled into the character I've created. They do become like their own people.
character responsibility television
There are very few ethnic LGBT characters on television, so I am honored to represent them. I love supporting this cause, but it’s a big responsibility, and sometimes it’s a lot of pressure on me. Naya Rivera
character example pudding
The authority of example and considerations of character, unlike pudding, are not whipped up in an instant. Neal A. Maxwell
character thinking essence
There is something about my aura or essence, or whatever, that draws the ex-wife characters to me. I don't seek them out, but people tend to think of me for that particular archetype, or whatever you want to call it, and I don't mind it. I think there is a strength to it. Natalie Zea
character different roles
What I love to do requires portraying different characters, and you have to separate your life from the role. Natasha Calis
character yield levels
It may, however, be said that the level of experience to which concepts are inapplicable cannot yield any knowledge of a universal character, for concepts alone are capable of being socialized. Muhammad Iqbal
character stories tvs
One of the great things about TV is the story to tell can be very internal and really character-based. Mitchell Hurwitz
character creative guy
I've never had a working relationship like I have with them. I developed a lot of the design of this show with them. That conversation was about, "What are your needs? What are you looking for? Will this work for you guys? Will a show work where you've got one episode per character?" They really were a creative partner.
character thinking people
At the time, I used to say, "We should market this like Everybody Loves Raymond. It's just a guy dealing with his family." Instead, it was irresistible to show all these funny people. So, I actually think this could be more inviting to a new audience because they can just watch one character, find out what's going on in his life, and then meet another character and find out what's going on in her life, and then see how it intersects the other one.
character thinking people
I think it actually makes more sense for a new audience than the old show did because we're focusing on one character at a time. It's all conjecture why somebody didn't watch, but one of the theories was that there was just so much information, even in the trailers and promos, of all these different people.
character passion political-opinions
...one exploiting sect, one people of leeches, one single devouring parasite closely and intimately bound together not only across national boundaries, but also across all divergences of political opinion ... [Jews have] that mercantile passion which constitutes one of the principle traits of their national character Mikhail Bakunin