Quotes about character
character heart thinking
As an actor, you have to just think about the truth of your character. You have to think about how to play the character in the way that you know it needs to be played in your heart and why you were hired. Emma Stone
character responsibility political
For me, the political part of being an actor is very tough. To sit somewhere and tell somebody why you should feel this way or that way about my character does not feel like my responsibility. It feels like the responsibility of the writer and the person who created it. Emma Stone
character thinking people
A lot of times I feel like people come up to me because they think I'm like my character in Easy A, or because they've seen me in interviews, but really what they're a fan of is a movie or a character. Emma Stone
character color government
The State, every government whatever its form, character or color - be it absolute or constitutional, monarchy or republic, Fascist, Nazi or bolshevik - is by its very nature conservative, static, intolerant of change and opposed to it. Emma Goldman
character ideas intellectual
To the indefinite, uncertain mind of the American radical the most contradictory ideas and methods are possible. The result is a sad chaos in the radical movement, a sort of intellectual hash, which has neither taste nor character. Emma Goldman
character animal space
John Burroughs has stated that experimental study of animals in captivity is absolutely useless. Their character, their habits, their appetites undergo a complete transformation when torn from their soil in field and forest. With human nature caged in a narrow space, whipped daily into submission, how can we speak of its potentialities? Emma Goldman
character long half
It is three and a half hours long, four characters wide and a cesspool deep. John Jay Chapman
character men ideas
The world values the seer above all men, and has always done so. Nay, it values all men in proportion as they partake of the character of seers. The Elgin Marbles and a decision of John Marshall are valued for the same reason. What we feel in them is a painstaking submission to facts beyond the author's control, and to ideas imposed on him by his vision. So with Beethoven's Symphonies, with Adam Smith's Wealth of Nations - with any conceivable output of the human mind of which you approve. You love them because you say, These things were not made, they were seen. John Jay Chapman
character giving people
You don't want to be ungenerous toward people who give you prizes, but it is never the social or political message that interests me in a novel. I begin with an interest in a relationship, a situation, a character. John Irving
character thinking trying
I always begin with a character or characters, and then try to think up as much action for them as possible. John Irving
character stories fans
I've always been a fan of the 19th century novel, of the novel that is plotted, character-driven, and where the passage of time is almost as central to the novel as a major minor character, the passage of time and its effect on the characters in the story. John Irving
character differences important
The main character and the most important character are not always the same person - you have to know the difference. John Irving
character effort world
The characters in my novels, from the very first one, are always on some quixotic effort of attempting to control something that is uncontrollable - some element of the world that is essentially random and out of control. John Irving
character interest situation
I begin with an interest in a relationship, a situation, a character. John Irving
character six gone
For sheer strength of character, I wouldn't have dared to cross swords with Callas. I would rather have gone six rounds with Jack Dempsey. John Huston
character light darkness
Nudes are the greatest to paint. Everything you can find in a landscape or a still life or anything else is there: darkness and light, character dimension, texture. I painted heads too, of course. John Hurt
character play personality
I'm a personality - like a George Plimpton who effectively plays himself in a bunch of different roles, or a Paul Lynde-type character. John Hodgman
character stories villain
The villain of any story is often the most compelling character. John Hodgman
character writing thinking
For the last 20 years of my life, I've had the mantra to do amazing parts with amazing people in amazing projects, so I'm attracted to good story, writing and character and good people. That's what I'm always searching for and I don't think that's ever going to change. John Hawkes
character writing thinking
I began to write fiction on the assumption that the true enemies of the novel were plot, character, setting and theme, and having once abandoned these familiar ways of thinking about fiction, totality of vision or structure was really all that remained. John Hawkes
character perfect long
Feydeau's one rule of playwriting: Character A: My life is perfect as long as I don't see Character B. Knock Knock. Enter Character B. John Guare
character kids thinking
A piece of drapery is like a necktie, hot stuff to paint, and one of the easiest things for a painter to kid himself into thinking he can do. Don't be fooled by the color. Go after the shape and character. Hew the forms together with colored tones. John French Sloan
character power thinking
Essential characteristics of a gentleman: The will to put himself in the place of others; the horror of forcing others into positions from which he would himself recoil; and the power to do what seems to him to be right without considering what others may say or think. John Galsworthy
character writing novelists
There is a part of me in every character, naturally. That's why novelists rarely write good autobiographies. You start one and it becomes another novel. John Dos Passos
character records phases
The business of a novelist is, in my opinion, to create characters first and foremost, and then to set them in the snarl of the human currents of his time, so that there results an accurate permanent record of a phase of history. John Dos Passos
character opportunity creating
With the advent of digital imaging I made the transition from trying to figure out how to do things to creating objects, characters and the whole cloth. It kind of freed up the analytical part of my brain and I had the opportunity to use more of the creative side of my brain for how things interact with light and integrate into stories. John Dykstra
character always-trying kind
To be in theater you have to be a kind of psychologist, for you're always trying to understand character and motives. John Eldredge
character men may
It is not true that drink changes a man's character. It may reveal it more clearly. John Osborne
character darkness doubt
The character of the faith that allows us to be transformed by suffering and darkness is not doubt-free certainty; rather, it is tenacious obedience. John Ortberg
character law office
The life of Abraham Lincoln is by most accounts an amazing study in character formation. Yet he was notoriously disorganized; he even had a file in his law office labeled If you can't find it anywhere else, try looking here. John Ortberg
character people cartoon
People in Britain see Richard Quest as a kind of an offensive cartoon character. John Oliver
character
Success is good for the character. John Mortimer
character gay play
I can't tell you why I keep getting asked to play gay characters, but I never really considered 'gay' as an adjective, as a playable thing. Maybe it's an element of the character, but it just describes a preference. John Michael Higgins