Quotes about photograph
photography always-trying sick
Cindy Sherman People are always trying to find the next groovy thing, and it hasn't gone back to painting... I'd like it to go back to painting. I'm sick of all this photography and video. There's so much of it, it's almost annoying.
photography art photographer
Cindy Sherman One reason I was interested in photography was to get away from the preciousness of the art object.
photography thinking artist
Cindy Sherman People think because it's photography it's not worth as much, and because it's a woman artist, you're still not getting as much - there's still definitely that happening. I'm still really competitive when it comes to, I guess, the male painters and male artists. I still think that's really unfair.
photography fun acting
Cindy Margolis When you're modeling you're actually acting for the camera and the photographer. It's more fun, too because there are no lines to memorize.
photography sexy feelings
Cindy Margolis A good photographer can make you look incredible, even when you're not feeling very sexy.
photography would-be assistants
Alfred Eisenstaedt I don't like to work with assistants. I'm already one too many; the camera alone would be enough.
photography simple light
Alfred Eisenstaedt My style hasn't changed much in all these sixty years. I still use, most of the time, existing light and try not to push people around. I have to be as much a diplomat as a photographer. People don't often take me seriously because I carry so little equipment and make so little fuss... I never carried a lot of equipment. My motto has always been, "Keep it simple".
photography lying hard-work
Alfred Eisenstaedt It's important to understand it's OK to control the subject. If most editorial stories were photographed just as they are, editors would end up throwing most in the waste basket. You have to work hard at making an editorial picture. You need to re-stage things, rearrange things so that they work for the story, with truth and without lying.
photography important shutters
Alfred Eisenstaedt The most important thing... is not clicking the shutter... it is clicking with the subject.
photography diplomats photographer
Alfred Eisenstaedt I have to be as much diplomat as a photographer.
photography successful hands
Alfred Eisenstaedt I don’t use an exposure meter. My personal advice is: Spend the money you would put into such an instrument for film. Buy yards of film, miles of it. Buy all the film you can get your hands on. And then experiment with it.That is the only way to be successful in photography. Test, try, experiment, feel your way along. It is the experience, not technique, which counts in camera work first of all. If you get the feel of photography, you can take fifteen pictures while one of your opponents is trying out his exposure meter.
photography fleeting world
Alfred Eisenstaedt We are only beginning to learn what to say in a photograph. The world we live in is a succession of fleeting moments, any one of which might say something significant.
photography taken eye
Alfred Eisenstaedt I seldom think when I take a picture. My eyes and fingers react - click. But first, it's most important to decide on the angle at which your photograph is to be taken.
photography eye people
Alfred Eisenstaedt With photography, everything is in the eye and these days I feel young photographers are missing the point a bit. People always ask about cameras but it doesn't matter what camera you have. You can have the most modern camera in the world but if you don't have an eye, the camera is worthless. Young people know more about modern cameras and lighting than I do. When I started out in photography I didn't own an exposure meter - I couldn't , they didn't exist! I had to guess.
photography hands cameras
Alfred Eisenstaedt When I have a camera in my hand, I know no fear.
photography people boss
Alfred Eisenstaedt Never boss people around. It's more important to click with people than to click the shutter.
photography heart humble
Alfred Eisenstaedt Once the amateur's naive approach and humble willingness to learn fades away, the creative spirit of good photography dies with it. Every professional should remain always in his heart an amateur.
photography eye important
Alfred Eisenstaedt The important thing is not the camera but the eye.
photography people doorways
Andy Summers I admire photographers who can take much more ordinarily subject matter and make it transcend that ordinariness, so that it becomes something else fresh and new. It opens this doorway. I really admire people who can do that with photography.
photography strong people
Andy Summers The thing about photography is, some people surround themselves with extremely strong subject matter. And unless you're a moron, you're going to get a really strong photograph.
photography crazy buttons
Andy Warhol All photography is Pop, and all photographers are crazy... they feel guilty since they don't have to do very much - just push a button.
photography artist ideas
Andy Warhol My idea of a good picture is one that's in focus and of a famous person.
photography buttons photographer
Andy Warhol Photographers feel guilty that all they do for a living is press a button.
photography writing blow
Andre Breton The invention of photography has dealt a mortal blow to the old modes of expression, in painting as well as in poetry, where automatic writing, which appeared at the end of the nineteenth century, is a true photography of thought. Since a blind instrument now assured artists of achieving the aim they had set themselves up to that time, they now aspired, not without recklessness, to break with the imitation of appearances.
photography teaching class
Ann Beattie When I was teaching at Harvard in the 1970s, I went to Project Incorporated in Cambridge and took photography classes. I didn't even know how to aim the camera in those days.
photography people looks
Robert Frank When people look at my pictures I want them to feel the way they do when they want to read a line of a poem twice.
photography black-and-white color
Robert Frank Black and white are the colors of photography. To me they symbolize the alternatives of hope and despair to which mankind is forever subjected.
photography eye black-and-white
Robert Frank The eye should learn to listen before it looks.
photography matter photographer
Robert Frank Above all, life for a photographer cannot be a matter of indifference
photography two humanity
Robert Frank There is one thing the photograph must contain, the humanity of the moment. This kind of photography is realism. But realism is not enough - there has to be vision, and the two together can make a good photograph.
photography war photograph
After the war, photography came alive, in part because everybody started to use the 35mm camera, and worked on the street instead of in a studio, and that made an enormous difference in not only how photographs looked, but what they were about.
photography invisible visible
Rene Magritte Everything that is visible hides something that is invisible.